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Introduction

The New Biography in Historical Practice

Bibliographic Data

ID8940405
AuthorsJo Burr Margadant (corresponding author)
Year1996
Volume19
Issue4
Pages1045-1045
Publication date1996-01-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueFrench Historical Studies (JOURNAL)
Journal identifiersISSN: 0016-1071 • E-ISSN: 1527-5493
PublisherJSTOR (PUBLISHER)
DOI10.2307/286663
OpenAlexW2324868191
LanguageEN
Citations received3

With these astonishing images masking, deception, and flight, Pierre Nora challenged several mandarins the French historical profession to act upon the discovery of the falsity such detachment and the precariousness its supports revealed through two decades historiographical debate by writing a new kind life and times biography called ego-histoire.' Autobiographical in form, this new genre placed Nora's company co-conspirators in the position reflecting on the relationship between living through the experiences fashioned by historians into a national past and the personal perspectives that they brought as professionals to their work. History in ego-histoire becomes a script, historians become actors, and everyone becomes a spectator to the deconstruction the theater which practitioners objective historical investigation had fashioned with themselves offstage. If this manner restating Nora's intentions recalls Michel Foucault's theories about the disciplining power knowledge, it decidedly es

Art history · Biography · French Historical and Cultural Studies · History · Oral History, Memory, Narrative Analysis · Philosophy, History, and Historiography

  • The Laboratorium

    Susan Harrow•Dix-Neuf•2021

  • Subjectivity, Self-Representation, and the Revealing Twitches of Biography

    Elizabeth Colwill•French Historical Studies•2001

  • November 4th, 1878 in the Life of Titu Maiorescu

    Andrei Miroiu•East Central Europe•2014

Unique citing works3
Citations per year0,12
Citation span2001 - 2021 (21)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 3

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