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Dogville

A parable on perversion

Bibliographic Data

ID8970950
AuthorsAdela Abella (Charles Humbert 8, corresponding author), Nathalie Zilkha (Charles Humbert 8)
Year2004
Volume85
Issue6
Pages1519-1526
Publication date2004-12-01
Open AccessYes
TypeARTICLE
VenueThe International Journal of Psychoanalysis (JOURNAL)
Journal identifiersISSN: 0020-7578 • E-ISSN: 1745-8315
PublisherTaylor & Francis (PUBLISHER • GB)
DOI10.1516/0020757042684096
OpenAlexW4214545260
LanguageEN

The authors approach Lars Von Trier's fi lm Dogville in the light of contemporary psychoanalytic concepts on perversion. The perverse functioning appears at three levels in the fi lm. First of all in the content of the story: a seemingly masochistic victim stirs up the sadism of the people around her before the scenario turns full circle. As for the formal aspects, the producer subtly hides some data with the result that our perception of reality is distorted. Finally, the viewer is led fi rst to identify with a moral position before becoming, through identifi cation, an accomplice of the sadistic triumph of the so‐called victim

Narcissism · Personality · Personality disorders · Perversion · Psychoanalysis · Psychoanalytic theory · Sadistic personality disorder · Psychoanalysis, Philosophy, and Politics · Psychology

Highly citedNo

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