Open Frontiers
The Mobility of Art in Black Africa
Bibliographic Data
| ID | 9023650 |
|---|---|
| Authors | Pascal James Imperato (0000-0002-1605-4738), Rene A Bravmann |
| Year | 1973 |
| Volume | 7 |
| Issue | 1 |
| Pages | 82 |
| Publication date | 1973-01-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | African Arts (JOURNAL) |
| Journal identifiers | ISSN: 0001-9933 • E-ISSN: 1937-2108 |
| Publisher | JSTOR (PUBLISHER) |
| DOI | 10.2307/3334763 |
| OpenAlex | W1545688618 |
| Language | EN |
| Citations received | 18 |
The African Art Museum of the S.M.A. Fathers
A “Harley Mask” at the Cleveland Museum of Art
Power Objects
Is There History in Horizontal Masks? A Preliminary Response to the Dilemma of Form
So, What Do We Do Now
Ekong Songs of the Annang
The Lower Niger Bronzes
"The Power of an "Absent Ethnicity
Beyond Single Stories
One Tribe, One Style? Paradigms in the Historiography of African Art
Masks on the Move
Cross River Tombstones
African Borderland Sculpture
The Anthropology of Cloth
African Visual Arts from an Art Historical Perspective
Art and the individual in African masquerades Introduction
Frogs into Princes
African Meanings, Western Words
| Unique citing works | 18 |
|---|---|
| Citations per year | 0,38 |
| Citation span | 1978 - 2023 (46) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 18 |