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Gurensi Basketry and Pottery

Bibliographic Data

ID9023776
AuthorsF T H Smith (corresponding author), Fred T Smith
Year1978
Volume12
Issue1
Pages78
Publication date1978-11-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueAfrican Arts (JOURNAL)
Journal identifiersISSN: 0001-9933 • E-ISSN: 1937-2108
PublisherJSTOR (PUBLISHER)
DOI10.2307/3335387
OpenAlexW1978922326
LanguageEN
Citations received6

Among the Frafra of northeastern Ghana, the dry season is a time of considerable craft activity. The Frafra, who live in and around Bolgatanga, can be divided into three ethnic groups: Gurensi, Tallensi and Nabdam. Although all three groups engage in craft production, the Gurensi are the most industrious and artistically caried. In fact, about 40 percent of the adult Gurensi population is engaged in one way or another in the manufacture or sale of baskets, bags, fans, smocks, leather products, pots or carved calabashes. These items are made for both local consumption and for export, in which case they supplement the subsistence economy of the area. In this article, the most wide

Archaeology · Art · Geography · Pottery · Visual arts · Language, Linguistics, Cultural Analysis

  • Male and Female Artistry in Kalabari Dress

    M Catherine Daly, Meg Daly et al.•African Arts•1986

  • Lega Dress as Cultural Artifact

    Daniel P Biebuyck•African Arts•1982

  • Hausa Calabash Decoration

    Judith Perani•African Arts•1986

  • Artistic Creativity in Benin Kingdom

    Paula Ben-Amos•African Arts•1986

  • Mandara Mountain basketry in continental context

    Judith Sterner•Azania Archaeological Research in…•2012

  • The Dipylon Mistress

    Sarah C Murray, Irum Chorghay et al.•American Journal of Archaeology•2020

Unique citing works6
Citations per year0,14
Citation span1982 - 2020 (39)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 6

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