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Artistic Creativity in Benin Kingdom

Bibliographic Data

ID9024334
AuthorsPaula Ben-Amos (corresponding author)
Year1986
Volume19
Issue3
Pages60
Publication date1986-05-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueAfrican Arts (JOURNAL)
Journal identifiersISSN: 0001-9933 • E-ISSN: 1937-2108
PublisherJSTOR (PUBLISHER)
DOI10.2307/3336414
OpenAlexW1986482504
LanguageEN
Citations received6
References cited13

In many African cultures artistic creativity is ultimately linked to divine creation. This association can be expressed in language by the utilization of the same verb for both phenomena. Thus, in his discussion of carving, Bohannon (1961:87) points out that the Tiv the word 'create' (gba) for working woodits only other use is for God's creation of the World. In mythology, primordial creation is frequently presented as an essentially artistic act: the Creator God of the Fon (Herskovits 1967, vol. 2:232) and the Lodagaa (Goody 1962:209), for example, modeled the first human beings from clay and water, like a builder or potter. Indeed, the image of God as artist appears to be widespread in Africa. In his compilation African Concepts of God, Mbiti (1970:45-46) cites numerous examples of this image, among them the Akan, who

Aesthetics · Art · Carving · CITES · Creativity · Kingdom · Literature · Mythology · Political science · Sociology · Visual arts · African history and culture analysis · African history and culture studies · Anthropology · History · Law

  • Cultural Identity and Aesthetics Communication in the Music Video of Enam's "Amin"

    Open Access•Isaac Horsu, N S Kwashie et al.•African Journal of Culture…•2026

  • Art, history, and gender

    Open Access•Marla C Berns•African Archaeological Review•1993

  • African Visual Arts from an Art Historical Perspective

    Monni Adams•African Studies Review•1989

  • African Visual Arts from a Social Perspective

    Paula Ben-Amos•African Studies Review•1989

  • Historical postulations and relativism in the context of Benin–Ekiti relations

    Oluwaseun Samuel Osadola•African Identities•2026

  • Art as Neglected 'Text' for the Study of Gender and Religion in Africa

    Rosalind I J Hackett•Religion•1998

  • Creativity and style in African art

    William Bascom•Tradition and Creativity in…•1969

  • History of Cloth Trade in the Niger Delta

    Lisa Aronson•Textile History•1980

  • Male and Female Artistry in Africa

    F T H Smith, Fred T Smith•African Arts•1986

  • Igbo Carved Doors

    Nancy C Neaher•African Arts•1981

  • Tradition and Creativity in Tribal Art

    Chike C Aniakor, Daniel P Biebuyck et al.•African Arts•1975

  • Kalabari Cut-Thread and Pulled-Thread Cloth

    Tonye Victor Erekosima, Joanne Eicher et al.•African Arts•1981

  • Gurensi Basketry and Pottery

    F T H Smith, Fred T Smith•African Arts•1978

  • Pelete Bite

    Judith Perani•African Arts•1982

  • Symbolism in Olokun Mud Art

    Paula Ben-Amos•African Arts•1973

  • Gurensi Wall Painting

    F T H Smith, Fred T Smith•African Arts•1978

  • The Art of Eastern Nigeria

    J S Boston, John Boston et al.•African Arts•1985

  • Art as a Verb in Iboland

    Herbert M Cole•African Arts•1969

  • Tradition and Travesty

    Open Access•Terence Ranger•Africa•1982

Unique citing works6
Citations per year0,16
Citation span1989 - 2026 (38)
Citation velocitycurrent
Highly citedNo
Citation typesNeutral: 6

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