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Benjamin Franklin's pictorial representations of the British colonies in America

A study in rhetorical iconology

Bibliographic Data

ID9239159
AuthorsLester C Olson (University of Pittsburgh, corresponding author)
Year1987
Volume73
Issue1
Pages18-42
Publication date1987-02-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueQuarterly Journal of Speech (JOURNAL)
Journal identifiersISSN: 0033-5630 • E-ISSN: 1479-5779
PublisherInforma UK Limited (PUBLISHER • GB)
DOI10.1080/00335638709383792
OpenAlexW2075341197
LanguageEN
Citations received6
References cited32

This essay attempts to explain the underlying reasons for a fundamental shift in Benjamin Franklin's pictorial representations of the British colonies in America, by exploring the hypothesis the “Magna Britannia” was both a deliberative work directed to the British Parliament and an apologetic work directed to a conservative segment of the colonial public. Although the rhetorical tradition originates in the study of public speeches about civic matters, this analysis of “Magna Britannia” illustrates how concepts from the rhetorical tradition can illuminate pictorial persuasion, so contributing to a growing body of literature that explores the interdisciplineary value of the rhetorical tradition

Aesthetics · Art · Art history · Colonialism · Iconology · Linguistics · Literature · Persuasion · Political science · Rhetoric · Rhetorical question · Scholarship · Sociology · History · Law · Literature, Film, and Journalism Analysis · Philosophy · Rhetoric and Communication Studies · Visual Culture and Art Theory

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    S E Morison, Edmund S Morgan et al.•The New England Quarterly•1953

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    Martin J Medhurst, Michael A Desousa et al.•Communication Monographs•1981

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  • British Politics and the Stamp Act Crisis

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Unique citing works6
Citations per year0,17
Citation span1990 - 2022 (33)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 5

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