Generalising About Ovid
Datos Bibliográficos
| ID | 9290502 |
|---|---|
| Autores | Stephen Hinds (University of Michigan, autor de correspondencia) |
| Año | 1987 |
| Volumen | 16 |
| Número | 1-2 |
| Páginas | 4-31 |
| Fecha de publicación | 1987-01-01 |
| Peer Reviewed | Sí |
| Open Access | Sí |
| Tipo | ARTICLE |
| Revista | Ramus (JOURNAL) |
| Identificadores de la revista | ISSN: 0048-671X • E-ISSN: 2202-932X |
| Editorial | Cambridge University Press (PUBLISHER • US) |
| DOI | 10.1017/s0048671x00003234 |
| OpenAlex | W2800399446 |
| Idioma | EN |
| Citas recibidas | 54 |
| Referencias citadas | 13 |
The aim of this essay is to confront some ageing generalisations about Ovid which seem to have survived the latest close readings of his poetry intact. Most of the critics who have recently been casting new light on particular poems and passages have been too cautious to use their very specific findings to call explicitly into question long-established overviews of the Ovidian oeuvre . However, an attempt of some kind should be made. Today's generalisation is nothing more than an accretion of yesterday's particular readings; and reassessment of it can come only when it is tested against a new generation of particular readings. My focus, therefore, will be on specifics, but with an untimid eye towards overviews. A like absence of timidity will also be found in my specifics themselves. Writers of ‘general’ articles tend to eschew difficult or controversial interpretations of particular passages, lest some overall balance in their presentation of an author be upset. I shall have few such qualms: one of my aims is precisely to destabilise — however slightiy — the terms of reference within which Ovidian poetry is usually read. Indeed, I shall risk beginning with what will probably be the most controversial reading in my essay
Aesthetics · Art · Epistemology · Focus (optics · Linguistics · Literature · Nothing · Poetry · Presentation (obstetrics · Reading (process · Yesterday · Classical Antiquity Studies · History · Philosophy · Shakespeare, Adaptation, and Literary Criticism
Crítica de poesia e de poetas na elegia Amores 2, 6 de Ovídio
Fathers and Sons
Loving Writing/Ovid's Amores
Representation and the materiality of the book in the polymetrics
Doing the Numbers
‘Shall I Compare Thee…?’
Statius
Loves and elegy
Tibullus in first place
Militia amoris
The puella
Caius Cornelius Gallus
The poeta-amator, nequitia and recusatio
Explorations in Latin Literature
Zeitkonzepte und der römische Kalender
Translation and imitation of classical elegy in the French eighteenth century
Russian elegists and Latin lovers in the long eighteenth century
Greek elegy
Ovid the love elegist
Latin love elegy and other genres
Time, place and political background
Breaking the rules
Propertius
Latin love elegy in Late Antiquity
Latin precursors
‘The woman’
The Latin elegiac couplet
Les deux ‘Corinnes’ des Amours d’Ovide
Ovid Underwater
Ovidian Linearities
Ovid and Hesiod
Cicero and the Rise of Deification at Rome
Tragedy in Ovid
The Cambridge Companion to Latin Love Elegy
Cassandra and the Poetics of Prophecy in Greek and Latin Literature
The Ovidian Heroine as Author
Statius' Silvae and the Poetics of Empire
Signum and self
Passing Over Cephisos' Grandson
Aemilius Macer as Corinna’s Parrot in Ovid Amores 2.6
Maiestas Serena
Augustus, Domitian and the So-called Horologium Augusti
Discordant Muses
Postscripts from the Edge
Two Virgilian Acrostics
Since My Part has Been Well Played’
Martial's Ovid / Ovid's Martial
Love and the Family
The Figure of Elegy in Amores 3.1
Catullus 61
Gods, Caesars and Fate in Aeneid 1 and Metamorphoses 15
Crediting Pseudolus
The Poet as Pimp
Inconsistency in Roman Epic
| Obras citantes distintas | 54 |
|---|---|
| Citas por año | 1,59 |
| Intervalo de citas | 1992 - 2024 (33) |
| Velocidad de citación | recent |
| Altamente citado | No |
| Tipos de cita | Neutras: 53 |