Nothing to Do with Dionysos
Athenian Drama in Its Social Context
Bibliographic Data
| ID | 9293278 |
|---|---|
| Editors | John J Winkler, Froma I Zeitlin |
| Year | 1990 |
| Pages | 440 |
| Publication date | 1990-01-01 |
| Open Access | No |
| Type | BOOK |
| Venue | Nothing to Do with Dionysos? (SOURCE_BOOK) |
| Publisher | Princeton University Press (PUBLISHER • US) |
| DOI | 10.1515/9780691215891 |
| OpenAlex | W4242182410 |
| Open Library | OL34146538M |
| ISBN | 9780691215891 |
| Language | EN |
| Citations received | 77 |
Art · Epistemology · Nothing · Byzantine Studies and History · Classical Antiquity Studies · Classical Philosophy and Thought · Philosophy · Athens · Athens (greece) · Athens (Greece) in literature · Dionysia · Dionysus (Greek deity) · Greece · Greek drama · Greek drama, history and criticism · History · History and criticism · in literature · Intellectual life · Literature and society · Social conditions · Social problems in literature · Theater · To 1500 · to 500
Eros (I)
Weeping
Eros (II)
Empowerment for the Athenian Citizen
Laughter
Fourth-century comedy before Menander
The Tragedians of Heraclea and Comedians of Sinope
Fusion
Performing gender in Greek Old and New Comedy
Tranquility
Epicharmus and early Sicilian comedy
The rivals of Aristophanes and Menander
Character types
Comedy and Athenian festival culture
The Phanagoria Chous
Introduction
Die ‘weise’ Kassandra
Theatre and Performance in the Bosporan Kingdom
Snapshots of Aristophanes and Menander
Greek Tragedy and the Theatre of Sisterhood
Political Thought
The Northward Advance of Greek Horizons
Comedy and Athenian law
Attic comedy in the rhetorical and moralising traditions
Celebrating Dionysus in Istros and Tomis
Epilogue
The politics of Greek comedy
Dramatic technique and Athenian comedy
Black Sea Back Story
Concepts and Terms
Contexts of reception in antiquity
Fragmentary Greek Tragedies Set in the Black Sea
Suffering in Silence
Ancient Theatre in Tauric Chersonesus
Historiography and Theatre
The reception of Greek comedy in Rome
Combat Trauma and Ajax
Women in Love in the Fragmentary Plays of Sophocles
Female Violence towards Women and Girls in Greek Tragedy
The Greek ‘comic hero’
Anchoring Thebes
Theiconography of comedy
Coda
Paratheatrical Performances in the Bosporan Kingdom
Theatre at Olbia in the Black Sea
Liturgy as Drama
Régimes de genre et Antiquité grecque classique (V e -IV e siècles av. J.-C.)
Divinity and religious practice
Spectacles of Truth in Classical Greek Philosophy
The Talking Greeks
Le corps de la polis et le corps du héros
Aristophanes and the Phratry of Triobolos
Female Characters in Fragmentary Greek Tragedy
The Cambridge Companion to Greek Comedy
Ancient Theatre and Performance Culture Around the Black Sea
Constructing Literature in the Roman Republic
Heracles and Euripidean Tragedy
La tragédie grecque et l’histoire
What's Nietzsche to Euripides? The Aesthetics of Suffering in Nietzsche's Birth of Tragedy and Euripides’ Trojan Women
Ancient Greek Democracy and Its Study 1
Democracy in an Age of Tragedy
Theory’s Theatricality and Architectural Agency
Entre le courage et la peur
La flamme dévoratrice d’offrandes »
Horos
Cyclops and the Euripidean tetralogy
Tyrannoi and Tyrants on the Tragic Stage
What’s Hecuba to Shakespeare
The demos in Greek tragedy
Demosthenes 21 ( Against Meidias )
The Smell of Sophokles' Salmoneus
The king and eye
Female Control of Funeral Rites in Greek Tragedy
Frontiers of Pleasure
What the Ancient Greeks Can Tell Us About Democracy
Maintenant, que chacun s'enivre et boive par force ! » Consommation de vin et transgression comme pratique sociale à l'époque archaïque
The origins of the psychological 'interior'-Evidence from imperial roman literary practices and related issues
| Unique citing works | 77 |
|---|---|
| Citations per year | 2,26 |
| Citation span | 1992 - 2026 (35) |
| Citation velocity | current |
| Highly cited | No |
| Citation types | Neutral: 77 |