Fantasising Phryne

The psychology and ethics of ekphrasis

Bibliographic Data

ID9296304
AuthorsHelen Morales (0000-0002-9163-9242, University of California, Santa Barbara, corresponding author)
Year2011
Volume57
Pages71-104
Publication date2011-12-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueThe Cambridge Classical Journal (JOURNAL)
Journal identifiersISSN: 1750-2705 • E-ISSN: 2047-993X
PublisherCambridge University Press (PUBLISHER • US)
DOI10.1017/s1750270500001287
OpenAlexW2126690692
LanguageEN
Citations received6
References cited36

‘It's such a pity that we don't have Anything like a photograph Of her about whom the ancients rave ...’ ... Fragments, copies, our museums still hold Of statues she modelled, or so we're told (from Phryne by Robert Conquest, 2000) Phryne, the celebrity hetaira who is said to have lived and loved some time during the fourth century BCE, was reputed to be ‘by far the most phenomenal of the hetairai ’ (ἐπιφανεστάτη πολὺ τῶν ἑταίρων). This article aims to examine the anecdotes told about Phryne and argues that collectively they constitute a discourse on viewing that illuminates a significant aspect of the production and interpretation of art: the ethical and aesthetic problems involved (for the artist, subject, model and other viewers) in making and describing naturalistic art, especially that which represents the gods. A rich repertoire of written material on Phryne, and on the statue of the Aphrodite of Cnidus for which she was said to have been the model, has survived, although mostly by later rather than contemporary writers. Among the descriptions of the statue there is a group of epigrams collected in the Greek Anthology whose authorship and dating are largely uncertain. On Phryne we have accounts and imaginative scenarios in Alciphron, Lucian and Pausanias, all presumed to be writing in the second century CE; Athenaeus, who most probably wrote in the third century CE; and quotations from earlier writers

Ancient history · Art · Art history · CONQUEST · Epistemology · Interpretation (philosophy · Literature · Naturalism · Pity · Statue · Subject (documents · Classical Antiquity Studies · Historical, Religious, and Philosophical Studies · History · Philosophy · Visual Culture and Art Theory

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