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Seeing Double(s)

Reception of Chariton in the Erôtes

Bibliographic Data

ID9339352
AuthorsNicolò D’Alconzo (0000-0002-3946-5644, Ghent University, corresponding author)
Year2021
Volume75
Issue2
Pages293-313
Publication date2021-01-12
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueMnemosyne (JOURNAL)
Journal identifiersISSN: 0026-7074 • E-ISSN: 1568-525X
PublisherBrill (PUBLISHER • NL)
DOI10.1163/1568525x-bja10027
OpenAlexW3120566861
LanguageEN
References cited28

This article considers the Lucianic Erôtes a receptor of Greek novels and focusses on Chariton’s Callirhoe as hypotext. It argues that Chariton’s construction of Callirhoe as a double of Aphrodite, and the plot that this predicament generates, are central to the presentation of the statue of Aphrodite in the Erôtes . This is revealed by consistent verbal echoes and by the re-enactment of memorable scenes in the novel. The Erôtes emerges as an important document for the early reception of Greek novels, and its author as an attentive reader of them

Art · Art history · Literature · Plot (graphics · Presentation (obstetrics · Statue · Byzantine Studies and History · Classical Antiquity Studies · Historical, Religious, and Philosophical Studies · History · Mathematics · Philosophy

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Highly citedNo

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