The Itinerant Dragon-Slayer
Forging Paths of Image and Identity in Medieval Anatolia
Bibliographic Data
| ID | 9320639 |
|---|---|
| Authors | Oya Pancaroğlu (corresponding author) |
| Year | 2004 |
| Volume | 43 |
| Issue | 2 |
| Pages | 151-164 |
| Publication date | 2004-01-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Gesta (JOURNAL) |
| Journal identifiers | ISSN: 0016-920X • E-ISSN: 2169-3099 |
| Publisher | University of Chicago Press (PUBLISHER • US) |
| DOI | 10.2307/25067102 |
| OpenAlex | W2443653784 |
| Language | EN |
| Citations received | 12 |
| References cited | 10 |
The image of a figure on horseback impaling a large serpent or "dragon" was reincarnated over many centuries in medieval Anatolia, each reincarnation affirming the iconographic stability and contextual adaptability of the image. Tracing this image from the end of Late Antiquity to the establishment of Turkish polities in Anatolia reveals the wide horizon of identities and functions that characterizes this iconography of heroic sainthood. Appearing on amulets, coins, icons, secular courtly decoration, and in funerary settings, the equestrian dragon-slayer assumed multiple and parallel identities in Christian and Muslim contexts. These identities intersect, in turn, with analogous narratives of sainthood and heroism in which the dragon slayer plays a distinct role in forging associations between traditions. The visual and narrative representations of the dragon slayer speak to the psychological primacy of certain types of images, revealed by their ability to transcend the passage of time and peoples. In the case of medieval Anatolia, the manifestations of the equestrian dragon-slayer challenge easy assumptions about the nature of cultural encounter, difference, and assimilation. From mutation to regeneration, analysis of the visual and textual representations of the dragon slayer facilitates the mapping of complex cultural experiences in medieval Anatolia
Aesthetics · Ancient history · Art · Art history · Iconography · Identity (music · Late Antiquity · Literature · Narrative · Reincarnation · Serpent (symbolism · Turkish · Byzantine Studies and History · Eurasian Exchange Networks · Historical, Religious, and Philosophical Studies · History · Philosophy
Remembering the Imām Yaḥyā Ibn Al-Qāsim Mashhad in Mosul
Crossing Cultural Boundaries
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Aziz George ve Hızır Özdeşliğinin Kökeni, Sürekliliği ve Osmanlı Belgelerindeki İzleri
From Martyr to Military Martyr
Militarne wizerunki przypisywane św. Jerzemu-smokobójcy i ich mitologiczno-religijne konotacje (na przykładzie wczesnośredniowiecznych zawieszek z Europy Środkowo-Wschodniej)
Fifteenth- and Sixteenth-Century Ottoman Narratives on the Hagia Sophia Reconsidered
The Ritual-Mythological Semantics of the Azerbaijan Khidir Nabi Holiday
An Image of Power in Transition
Seven Byzantine lead seals from the museum of Ödemiş in western Anatolia
The Pasts of Roman Anatolia
The pulpit trap
XIII.-XV. Yüzyıllarda Anadolu'da Türk-Hıristiyan Dini Etkileşimler ve Aya Yorgi (Saint Georges) Kültü
Les Principaux Personnages Du Roman De Chevalerie Arabe Dāt Al-Himma Wa-L-Battāl
The American Numismatic Society, Museum Notes 20, 1975
Khir, Elwan ÇLelebi and the Cnversion of Sacred Sanctuaries in Anatolia
Khir in the Islamic Tradition
Akritas and the Dragons
| Unique citing works | 12 |
|---|---|
| Citations per year | 1.09 |
| Citation span | 2015 - 2026 (12) |
| Citation velocity | current |
| Highly cited | No |
| Citation types | Neutral: 11 |