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The Rise of Graphicacy in Late Antiquity and the Early Middle Ages

Bibliographic Data

ID9329869
AuthorsIldar Garipzanov (0000-0001-5581-2514, University of Oslo, corresponding author)
Year2015
Volume46
Issue2
Pages1-21
Publication date2015-05-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueViator (JOURNAL)
Journal identifiersISSN: 0083-5897 • E-ISSN: 2031-0234
PublisherBrepols (PUBLISHER • BE)
DOI10.1484/j.viator.5.105359
OpenAlexW1911994462
LanguageEN
Citations received5
References cited3

Diagrams, maps, and other forms of graphic visualization are nowadays discussed as a specific mode of communication, graphicacy, typical of the modern age with its ever-increasing role of visual media in social life. This essay questions this tendency to see graphicacy as a by-product of modernity by surveying various forms of representational graphic signs and systems that were placed on various media in Late Antiquity and the early Middle Ages, and it suggests that this graphic material should be seen as expressions of the very same mode of communication rising at the time of the sociocultural-and more specifically, religious-transformation of the late Roman and post-Roman worlds. With reference to this graphic evidence, early graphicacy is defined as a mode of visual communication of conceptual information and abstract ideas by means of non-figural graphic devices, which may comprise inscribed letters, words, and isolated decorative symbols

Ancient history · Art · Epistemology · Human–computer interaction · Inscribed figure · Late Antiquity · Middle Ages · Mode (computer interface · Modernity · Sociocultural evolution · Sociology · Visual arts · Anthropology · Byzantine Studies and History · Classical Antiquity Studies · Computer Science · Historical and Religious Studies of Rome · History · Mathematics · Philosophy

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    Open Access•Dario Internullo•Storicamente•2020

  • Knowledge Construction in Late Antiquity

    Open Access•Jeremiah Coogan, Robert G T Edwards et al.•Knowledge Construction in Late…•2023

  • Michael and other archangels behind an eight-pointed cross-symbol from Medieval Nubia

    Open Access•Henriette Hafsaas, Alexandros Tsakos•Pharos Journal of Theology•2021

  • Vikings and Vellum

    Peter Pentz•Medieval Archaeology•2022

  • Carolingian Diagrams, Images of the Invisible

    Bianca Kühnel•Seeing the Invisible in Late…•2005

  • Social Conflict in the Age of Justinian

    Open Access•Douglas Whalin•Reviews in History•2014

  • Two literary encyclopaedias from Late Antiquity

    Open Access•Paula Olmos•Studies in History and Philosophy…•2012

Unique citing works5
Citations per year0.83
Citation span2020 - 2023 (4)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 5

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