Seurat and the Science of Painting
Bibliographic Data
| ID | 9338269 |
|---|---|
| Authors | David G Stork (0000-0002-0135-2652, corresponding author), William Innes Homer |
| Year | 1984 |
| Volume | 17 |
| Issue | 2 |
| Pages | 131-131 |
| Publication date | 1984-01-01 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Leonardo (JOURNAL) |
| Journal identifiers | ISSN: 0024-094X • E-ISSN: 1530-9282 |
| Publisher | The MIT Press (PUBLISHER • US) |
| DOI | 10.2307/1575010 |
| OpenAlex | W2080426383 |
| Language | EN |
| Citations received | 10 |
Art · Art history · Painting · Visual arts · Architecture and Art History Studies · Computer Science · Historical and Literary Studies · Historical Art and Culture Studies
The art of articulation
Interrelationships between the Visual Arts, Science and Technology
A Color System for Artists
The Scientific Image of Emotion
The problem of continuity and the origins of modernism
The pulse of modernism
Icons
Common Denominators in Art and Science
Colour and its History
Richard Bergh
| Citations per year | 0.2 |
|---|---|
| Citation span | 1976 - 2010 (35) |
| Highly cited | No |