David G Stork
Biographic Data
| ID | 988007 |
|---|---|
| NAME | David G Stork |
| GIVEN NAMES | David G |
| FAMILY NAME | Stork |
| SIGNATURE | STORK D G |
| AFFILIATIONS | Stanford University |
| ORCID | 0000-0002-0135-2652 |
| VERIFIED | Yes |
| TOTAL WORKS | 8 |
| TOTAL CITATIONS | 3 |
| WORKS AS AUTHOR | 8 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1984 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 1 |
Leonardo@Djerassi 2023
As an artist, I have explored various configurations of collaborative projects. After decades of work, I became curious about why most of my artistic activities occur in collaboration processes [1]. Concepts from the social sciences, sciences, and philosophy percolated to include citations that equated collaboration with interconnectivity and the liquid network; with open systems and as a field of activity; and with collision of differences, and …
Image Contour Fidelity Analysis of Mechanically Aided Enlargements of Jan van Eyck's Albergati Portrait
A recent revisionist theory claims that as early as 1430 European artists secretly invented optical projectors and used them as aids during the execution of their paintings. Key artworks adduced in support of this theory are a pair of portraits of Cardinal Niccolò Albergati by Jan van Eyck: a silverpoint study (1431) and a formal oil work (1432). We tested whether the use of known contemporaneous mechanical methods might explain this image eviden…
Did Hans Memling Employ Optical Projections When Painting Flower Still-Life
David Hockney has recently hypothesized that some early Renaissance painters employed optical devices such as concave mirrors to project images of a scene or part of a scene onto their supports, which they then traced or painted over. As one of many examples, he has claimed that Hans Memling (ca. 1440–1494) built an optical projector to create his Flower Still Life, specifically when rendering its carpet. The author's perspective analysis on the …
Political distortions of science
A Complete List of Homographs from the Oxford English Dictionary
Perspective, Optics, and Delft Artists around 1650
Aurora
Seurat and the Science of Painting
Seurat and the Science of Painting
Aurora
Perspective, Optics, and Delft Artists around 1650
A Complete List of Homographs from the Oxford English Dictionary
Political distortions of science
Did Hans Memling Employ Optical Projections When Painting Flower Still-Life
David Hockney has recently hypothesized that some early Renaissance painters employed optical devices such as concave mirrors to project images of a scene or part of a scene onto their supports, which they then traced or painted over. As one of many examples, he has claimed that Hans Memling (ca. 1440–1494) built an optical projector to create his Flower Still Life, specifically when rendering its carpet. The author's perspective analysis on the …
Image Contour Fidelity Analysis of Mechanically Aided Enlargements of Jan van Eyck's Albergati Portrait
A recent revisionist theory claims that as early as 1430 European artists secretly invented optical projectors and used them as aids during the execution of their paintings. Key artworks adduced in support of this theory are a pair of portraits of Cardinal Niccolò Albergati by Jan van Eyck: a silverpoint study (1431) and a formal oil work (1432). We tested whether the use of known contemporaneous mechanical methods might explain this image eviden…
Leonardo@Djerassi 2023
As an artist, I have explored various configurations of collaborative projects. After decades of work, I became curious about why most of my artistic activities occur in collaboration processes [1]. Concepts from the social sciences, sciences, and philosophy percolated to include citations that equated collaboration with interconnectivity and the liquid network; with open systems and as a field of activity; and with collision of differences, and …
Art (6 works) · Art history (5 works) · Computer Science (5 works) · Visual arts (5 works) · Architecture and Art History Studies (3 works) · Painting (3 works) · Aesthetic Perception and Analysis (2 works) · Artificial Intelligence (2 works) · Artificial Intelligence (2 works) · Historical and Literary Studies (2 works)