Vida e morte nas pinturas de natureza-morta do século XVII holandês
Bibliographic Data
| ID | 9341856 |
|---|---|
| Authors | Vanessa Beatriz Bortulucce (0000-0001-7219-0286, Faculdade Cásper Líbero, corresponding author) |
| Year | 2022 |
| Volume | 5 |
| Issue | 3 |
| Pages | 99-115 |
| Publication date | 2022-01-01 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Todas as Artes Revista Luso-Brasileira de Artes e Cultura (JOURNAL) |
| Journal identifiers | ISSN: 2184-3805 • E-ISSN: 2184-3805 |
| Publisher | University of Porto (PUBLISHER • PT) |
| DOI | 10.21747/21843805/tav5n3a5 |
| OpenAlex | W4327852049 |
| Language | PT |
| Citations received | 3 |
| References cited | 1 |
The purpose of this article is to make some reflections about a specific type of art that, in a large part of its history, was especially concerned with the issues of death and the transience of existence: still-life paintings, especially those made by the Dutch in the 17th century. For that, it is necessary to retrace a path about the history of this genre, to then analyze the works of the period, and, in them, visualize the symbolic universes that alert us to the brevity of existence
Aesthetics · Art · Art history · Humanities · Painting · Period (music · The Symbolic · Death, Funerary Practices, and Mourning · Psychology
| Citations per year | 0.75 |
|---|---|
| Citation span | 2022 - 2026 (5) |
| Highly cited | No |