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The Shore Revisited

Bibliographic Data

ID9344636
AuthorsAnnette Arlander (0000-0002-9752-8850, University of the Arts Helsinki, corresponding author)
Year2018
Volume1
Issue1
Publication date2018-07-10
Open AccessYes
TypeARTICLE
VenueJournal of Embodied Research (JOURNAL)
Journal identifiersISSN: 2513-8421 • E-ISSN: 2513-8421
PublisherOpen Library of Humanities (PUBLISHER • GB)
DOI10.16995/jer.8
OpenAlexW2828053663
LanguageEN
Citations received3

This video article is based on a recorded return, in 2018, to the site of a performance for camera repeated weekly on Harakka Island in Helsinki during the year of the goat (2003–2004) as well as for a day and night during Easter that year. The video installations made fourteen years earlier are inserted in miniature format within the recent recording, complemented by journal entries from the day and night. The voice-over text discusses concerns relevant at the time of recording the performances and displaying the installations for the first time, such as the question what is repeated, what stays the same. It uses these works to exemplify one possible understanding of Karen Barad’s notion agential cut

Geography · Shore · Colonialism, slavery, and trade · Maritime and Coastal Archaeology · Geology · Oceanography

  • Revisiting the Rock — Self-diffraction as a Strategy

    Open Access•Annette Arlander•Global Performance Studies•2020

  • Diffraction, Mixture and Cut-Ups in Performing with Plants

    Annette Arlander•Performance Research•2020

  • Artistic research and the queer prophetic

    Open Access•Ben Spatz•Text and Performance Quarterly•2021

Citations per year0.5
Citation span2020 - 2021 (2)
Highly citedNo

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