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Music from Ground Zero. The coloniality of theory and musical analysis at the university

Bibliographic Data

ID9346604
AuthorsPilar Holguín Tovar (Pedagogical and Technological University of Colombia, corresponding author)
Year2017
Volume5
Issue1
Pages149-156
Publication date2017-07-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueREVISTA INTERNACIONAL DE EDUCACIÓN MUSICAL (JOURNAL)
Journal identifiersISSN: 2307-4841 • E-ISSN: 2307-4841
PublisherSAGE Publishing (PUBLISHER • US)
DOI10.12967/riem-2017-5-p149-156
OpenAlexW2784563059
LanguageEN
Citations received3
References cited6

This article seeks to answer the influence of the coloniality of knowledge, the cleansing of blood and the hybris of the zero ground in the conception of the theory and musical analysis which is taught in our Latin American universities. The aim is to examine the survival of coloniality in the imaginary of musical theory and analysis in order to recognize the predominant hegemonic discourses and propose some options to decolonize these disciplines of professional music education. The rationale is based on the presentation of some concepts of decolonial studies, research on the conservatory model and the ideology of theory and analysis. The article is divided into three parts. In the first one, an approximation is made to the concept of coloniality and its categories. The second takes the categories to review the ideology of the chosen fields of musical knowledge and the third proposes some options to decolonize our conceptions in higher education

Art · Epistemology · Hegemony · Ideology · Literature · Music theory · Musical · Musical analysis · Political science · Politics · Presentation (obstetrics · Psychoanalysis · Sociology · The Imaginary · Afro-Latin American Studies · Cultural and Social Studies in Latin America · Latin American Cultural Politics · Law · Philosophy · Psychology

  • Inclusión de la música tradicional colombiana en la especialidad de canto de conservatorios superiores de Bogotá

    Open Access•María Angélica Murcia Morales, Ana García Díaz•REVISTA INTERNACIONAL DE…•2022

  • Life of a Colombian Musician

    Daniel F Castro Pantoja•Journal of the American…•2022

  • Buen Vivir y colonialismo

    Open Access•Rolando Ángel-Alvarado•Revista Electrónica de LEEME•2021

  • Embodied Music Cognition and Mediation Technology

    Marc Leman•Embodied Music Cognition and…•2007

  • Problematizando la herencia colonial en la educación musical

    Open Access•Favio Shifres, Favio Demian Shifres et al.•Epistemus Revista de Estudios en…•2016

  • Unsettling the Coloniality of Being/Power/Truth/Freedom

    Sylvia Wynter•CR The New Centennial Review•2003

  • Analyzing Music Under the New Musicological Regime

    Kofi Agawu•Journal of Musicology•1997

Unique citing works3
Citations per year0,6
Citation span2021 - 2022 (2)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 3

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