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Approche des représentations de mammouths de la grotte Chauvet

Bibliographic Data

ID9388795
AuthorsBernard Gely (corresponding author), Marc Azéma
Year2005
Volume102
Issue1
Pages183-188
Publication date2005-01-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueBulletin de la Société préhistorique française (JOURNAL)
Journal identifiersISSN: 0249-7638 • E-ISSN: 1760-7361
PublisherPERSEE Program (PUBLISHER)
DOI10.3406/bspf.2005.13350
OpenAlexW2024632141
LanguageFR
Citations received4
References cited1

With sixty-six depictions of mammoths, the Chauvet Cave is the second most important sanctuary with regard to the number of figures of pachyderms. The is often reduced to its essential lines. However, the graphism also, in some cases, attests to a quest for realism, with a relative concern for details but little proportions. Among the more detailed works, for all the species depicted, the aesthetic quality of some seems to be without equivalent to date in Prehistory. However, independently of individual talents, the achievement of such lavish decoration points to the involvement of a whole group of people. Two main phases of decoration dating from the Aurignacian period have been identified but, finally, all the panels contribute to creating a single monumental sanctuary. Unlike the felines, which are nevertheless also numerous, the mammoth is rarely a central theme. It is more often a species which accompanies and frames others, as if its strength set it aside from the hunter/prey relationship. Because of the very great age of the works in the Chauvet Cave there are still only very comparative elements, although the mammoth is the most frequently depicted animal from the Rhône Valley to Burgundy. The drawings at Baume Latrone, in the gorges of the Gardon river, present many similarities with certain specimens at Chauvet. For the other sites, the lack of any real resemblance seems to confirm the more recent dates proposed for most of the caves in Burgundy and the Ardèche region

Aesthetics · Archaeology · Art · Aurignacian · Cave · Cityscape · Ethnology · Geography · Mammoth · Period (music · Prehistory · Representation (politics · Theme (computing · Visual arts · Archaeological and Geological Studies · History · Pleistocene-Era Hominins and Archaeology

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    Bernard Gely•Bulletin de la Société…•2005

  • Evaluating Aurignacian Art in Iberia… if it Really Exists

    Open Access•D Garate, Olivia Rivero et al.•Palethnologie•2015

  • L’art aurignacien de la Péninsule ibérique… Existe-t-il vraiment

    Open Access•D Garate, Olivia Rivero et al.•Palethnologie•2015

  • Space Analysis in Palaeolithic Cave Art

    Open Access•Olga Spaey, D Garate et al.•Journal of Archaeological Method…•2024

  • Les dessins noirs des salles Hillaire et du Crâne, grotte Chauvet-Pont-d'Arc

    Valérie Feruglio, Dominique Baffier•Bulletin de la Société…•2005

Unique citing works4
Citations per year0,19
Citation span2005 - 2024 (20)
Citation velocityrecent
Highly citedNo
Citation typesNeutral: 4

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