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The nation has two `voices

Diforia and performativity in Athens 2004

Bibliographic Data

ID9401288
AuthorsR Tzanelli (0000-0002-5765-9856, University of Leeds, corresponding author)
Year2008
Volume11
Issue4
Pages489-508
Publication date2008-10-21
Open AccessYes
TypeARTICLE
VenueEuropean Journal of Cultural Studies (JOURNAL)
Journal identifiersISSN: 1367-5494 • E-ISSN: 1460-3551
PublisherSAGE Publishing (PUBLISHER • US)
DOI10.1177/1367549408094984
OpenAlexW2128257262
LanguageEN
Citations received3
References cited34

This article explores the contemporary conditions of national self-presentation, inviting students of national identity to reconsider the nature of national self-narration through new conceptual tools. It is argued that contemporary nations have two `voices': one is addressed to their members, another speaks to the nation's external interlocutors. Both voices contribute to the performance of identity: for nations which are the product of colonial and `crypto-colonial' encounters, narration is characterized by a negotiation of the boundaries between private and public voices and slippage in utterance. The article introduces a new concept in the study of culture, `diforia', which accounts for both this split meaning of utterance and national performativity in public. The concept is mobilized to examine and deconstruct a recent case of Greek diforia enacted in the context of the opening and closing ceremonies of Athens 2004

Aesthetics · Art · Colonialism · Context (archaeology · Epistemology · Hybridity · Identity (music · Linguistics · Literature · Meaning (existential · Media studies · Narrative · National identity · Negotiation · Performative utterance · Performativity · Political science · Politics · Presentation (obstetrics · Social science · Sociology · Utterance · Anthropology · Contemporary and Historical Greek Studies · Cyprus History, Politics, Society · Gender Studies · History · Law · Philippine History and Culture

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Citations per year0.19
Citation span2010 - 2017 (8)
Highly citedNo

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