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Note on the Cover Artist

Bibliographic Data

ID9466859
AuthorsEmma Martins (0000-0003-1644-8515, corresponding author), E Martín (0000-0003-0577-2985)
Year2011
Volume51
Issue4
Pages459-459
Publication date2011-10-01
Open AccessNo
TypeARTICLE
VenueThe British Journal of Aesthetics (JOURNAL)
Journal identifiersISSN: 0007-0904 • E-ISSN: 1468-2842
PublisherOxford University Press (OUP) (PUBLISHER)
DOI10.1093/aesthj/ayr035
OpenAlexW2312659592
LanguageEN

Much of my work stems from the question how do digital technologies and new media affect our response to images and texts? Specifically, how is the way that we read, the way that we understand and interact with text, and art, changing in a world of screens, of interfaces, of mediating layers of technology? While viewing or interacting with a piece of digital art, does one become frustrated by the inherent intangibility of the medium? Through video installation and Internet-based artwork, I aim to explore the ways in which a projection creates a surface on a screen, and how narrative can be created through juxtaposition. Furthermore, I aim to examine the role of tactile experience, the movement of water, the texture of fur, in a formally weightless medium. I am exploring the ability of projected video to suspend an image of such physicality in thin air, materialized only through light

Aesthetics · Affect (linguistics · Art · Art history · Computer graphics (images · Computer vision · Cover (algebra · Digital art · Digital media · Human–computer interaction · Image (mathematics · Literature · Media arts · Multimedia · Narrative · New media · Projection (relational algebra · Sociology · Texture (cosmology · Visual arts · World Wide Web · Art, Technology, and Culture · Communication · Computer Science · Digital Games and Media · Digital Media and Philosophy · Engineering

Highly citedNo

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