The Eighth Homeric Hymn and Proclus

Bibliographic Data

ID9664016
AuthorsM L West (corresponding author)
Year1970
Volume20
Issue2
Pages300-304
Publication date1970-12-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueThe Classical Quarterly (JOURNAL)
Journal identifiersISSN: 0009-8388 • E-ISSN: 1471-6844
PublisherCambridge University Press (CUP) (PUBLISHER)
DOI10.1017/s0009838800036260
OpenAlexW2014190010
LanguageEN
Citations received16

It is universally recognized that the Hymn to Ares stands apart from all the other poems in the Homeric collection, and that it was composed centuries later than any of those that can be assigned to a particular period with any degree of confidence. Many older scholars classed it or even printed it with the Orphic Hymns, which are transmitted together with the Homeric Hymns as well as with the hymns of Callimachus and Proclus. But the similarity with the Orphic Hymns is only superficial. It merely consists in the stylistic feature of accumulated epithets, a common characteristic of late hymns. There are three reasons for not lumping the Hymn to Ares with the very homogeneous Orphic series. First, the Orphic Hymns are courteous invocations of different gods to come to a ceremony described as τєλєτή or τєλєτταί, while the Hymn to Ares is an intensely personal prayer for the poet's own soul. Secondly, the Orphic collection already contains a hymn to Ares (65), and duplications are avoided. (There are a number of hymns, to Dionysus, but then he bears a different title in each case, Liknites, Trieterikos, etc.) Thirdly, in the Homeric hymn Ares is addressed as a planetary god. In the Orphic hymn to Ares, this aspect is totally absent, and the same is true of the hymns to Hermes, Aphrodite, Zeus, and Kronos

Art · Hymn · Literature · Poetry · Soul · Theology · Classical Antiquity Studies · Classical Philosophy and Thought · Historical, Religious, and Philosophical Studies · Philosophy

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