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Artists and Alchemists in Proust's a La Recherche Du Temps Perdu

Bibliographic Data

ID9837699
AuthorsMargaret Topping (Cardiff University, corresponding author)
Year2006
Volume60
Issue4
Pages466-478
Publication date2006-01-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueFrench Studies (JOURNAL)
Journal identifiersISSN: 0016-1128 • E-ISSN: 1468-2931
PublisherOxford University Press (PUBLISHER • GB)
DOI10.1093/fs/knl170
OpenAlexW2145630424
LanguageEN
Citations received1
References cited1

This article explores the significance of a network of images drawn from the world of alchemy that is present as a persistent undercurrent in Marcel Proust's A la recherche du temps perdu . It is argued that alchemical images — of transmutation, crucibles and gold itself — provide emblematic markers, within the diegesis of the novel, for the narrator-protagonist's evolution to creation. These images encompass the full hierarchy of aspirations of the alchemist, from financial gain to the spiritual transcendence sought by the true initiate. Indeed, A la recherche charts a metaphorical progression from material to spiritual ideals. In tracing out the narrator-initiate's path, alchemical images draw in such key themes as art, society and desire, and encompass a very Proustian range of tones and effects, from the celebratory to the satirical. The article also aligns Proust as novelistic creator with the alchemist of style and perception who transmutes the base matter of observation and experience into gold. In this respect, Proust is situated in relation to a broader nineteenth-century artistic emphasis on transfiguration rather than imitation

Aesthetics · Alchemy · Apollo · Art · Art history · Epistemology · Imitation · Literature · Style (visual arts · Transcendence (philosophy · French Literature and Critical Theory · French Literature and Criticism · Philosophy · Psychology

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Unique citing works1
Citations per year0.1
Citation span2016 - 2016 (1)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 1

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