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Less than Bodies

Cellular Knowledge and Alexander Kluge's “The Air Raid on Halberstadt on 8 April 1945”

Bibliographic Data

ID9856995
AuthorsCyrus Shahan (Colby College, corresponding author)
Year2010
Volume85
Issue4
Pages340-358
Publication date2010-09-30
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueThe Germanic Review Literature Culture Theory (JOURNAL)
Journal identifiersISSN: 0016-8890 • E-ISSN: 1930-6962
PublisherInforma UK Limited (PUBLISHER • GB)
DOI10.1080/00168890.2010.513654
OpenAlexW2161209383
LanguageEN
References cited5

In his 1997 lectures in Zürich, later published as On the Natural History of Destruction (2003), W.G. Sebald indicted German-language literature with failure to adequately remember, represent, or reconcile the atrocities and violence of World War II. Drawing on Elaine Scarry's work on the body, Sebald locates the corporeal as crucial for his sought-after literary-historical aesthetic, and he thereby hypothesizes that Alexander Kluge's essay “The Air Raid on Halberstadt on 8 April 1945” verges on a poetics capable of rescuing experience and cognition from the fate destined by conservative, overly simplified narratives. But the location and content of experience as Kluge theorizes it is only spelled out in his and Oskar Negt's Geschichte und Eigensinn. Only therein do the two authors outline how a matrix of the body, trauma, alienation, and temporality constitute the possibility of rescuing the ruins of the past for the present, that itself can explicate Kluge's montage in his “Halberstadt” essay

Alienation · Art · Art history · Epistemology · German · Linguistics · Literature · Narrative · Poetics · Temporality · History · Law · Literature and Cultural Memory · Memory, Trauma, and Testimony · Philosophy

  • The Work of Art as Theory of Work

    Richard Langston•The Germanic Review Literature…•2008

  • Documents, Photography, Postmemory

    Mark M Anderson•Poetics Today•2008

  • Against the Power of Time

    Amir Eshel•New German Critique•2003

  • Unstable Mixtures, Dilated Spheres

    Miriam Hansen•Public Culture•1993

Citation velocityhistorical
Highly citedNo

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