Documents, Photography, Postmemory
Alexander Kluge, W. G. Sebald, and the German Family
Bibliographic Data
| ID | 7960199 |
|---|---|
| Authors | Mark M Anderson (corresponding author) |
| Year | 2008 |
| Volume | 29 |
| Issue | 1 |
| Pages | 129-153 |
| Publication date | 2008-03-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Poetics Today (JOURNAL) |
| Journal identifiers | ISSN: 0333-5372 • E-ISSN: 1527-5507 |
| Publisher | Duke University Press (PUBLISHER • US) |
| DOI | 10.1215/03335372-2007-020 |
| OpenAlex | W2163087321 |
| Language | EN |
| Citations received | 3 |
| References cited | 7 |
The article examines two major German writers of documentary fiction, Alexander Kluge and W. G. Sebald, who incorporate photographs into their work as part of a complex strategy of realism. Both authors are strongly marked by the legacy of Nazi propaganda and its manipulation of photographic images; both authors reflect on the relationship between trauma, war, memory, and representation, especially with regard to family histories. Kluge's emotionally flat documentary account of the Allied bombing of his hometown reveals a problematic deadening of personal and familial relations. Sebald's semiautobiographical fictions, whose German narrators are riven by their disrupted family histories, can only be partially understood through Marianne Hirsch's notion of “postmemory.” Despite common political and stylistic traits, the writings of Kluge and Sebald ultimately forge quite different literary esthetics
Archaeology · Art · Art history · German · Literature · Nazi Germany · Nazism · Photography · Political science · Politics · Realism · Visual arts · History · Law · Literature and Cultural Memory · Memory, Trauma, and Testimony
| Unique citing works | 3 |
|---|---|
| Citations per year | 0,19 |
| Citation span | 2010 - 2013 (4) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 3 |