Mark M Anderson
Biographic Data
| ID | 1040632 |
|---|---|
| NAME | Mark M Anderson |
| GIVEN NAMES | Mark M |
| FAMILY NAME | Anderson |
| SIGNATURE | ANDERSON M M |
| AFFILIATIONS | Columbia University |
| VERIFIED | No |
| TOTAL WORKS | 13 |
| TOTAL CITATIONS | 12 |
| AUTHOR COUNT | 13 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1985 |
| LATEST PUBLICATION YEAR | 2008 |
| H-INDEX | 2 |
Documents, Photography, Postmemory
The article examines two major German writers of documentary fiction, Alexander Kluge and W. G. Sebald, who incorporate photographs into their work as part of a complex strategy of realism. Both authors are strongly marked by the legacy of Nazi propaganda and its manipulation of photographic images; both authors reflect on the relationship between trauma, war, memory, and representation, especially with regard to family histories. Kluge's emotion…
Nicht mit groşen Tönen gesagt”
The Silent Generation? Jewish Refugee Students, Germanistik , and Columbia University
A Festschrift to Inge Halpert Introduction
The Edge of Darkness
1. You know picture. A lone figure dressed in a black cloak stands at edge of an empty shore and looks out onto a dark, windswept sea, which merges imperceptibly with inky sky. Because his back is turned to us, and because we cannot quite tell if he is wearing a monk's habit or a traveler's cape, figure remains a cipher to us, a mysterious presence inviting identification. What are his thoughts as he gazes into infinite, vertiginous theater befor…
Poems
Jewish’ Mimesis? Imitation and Assimilation in Thomas Mann's ‘Wälsungenblut’ and Ludwig Jacobowski's Werther, Der Jude 1
Kafka's Clothes
Kafka's Clothes
Siegfried Kracauer and Meyer Schapiro
While traveling in Germany in the early 1930s, Meyer Schiapirof caime across the name Siegfried Kracauer as the author of an article about Greta Garbo in the Frankfurier Zeiung. What struck Schapiro, he told mie, was Kracauer's unusual approach his use of a philosophical, phenomnenological vocabulary to talk sensitively about this beautiful woman and exploited filin star. He was also impressed by Kracauer's early sociological study Die Angeslelli…
"The "Impossibility of Poetry
If the French Revolution has been important in the modern period, it is not only as a historical event with specific political and social consequences but as an idea, a powerful epistemological tool for thinking about and organizing a certain historical process. The paradox is worth noting. What at first seemed terrifying, chaotic, irrational, to contemporary observers rapidly became the event through which one could make sense of history, ascrib…
The Fate of the Self. German Writers and French Theory
The Fate of the Self. German Writers and French Theory." The Germanic Review: Literature, Culture, Theory, 64(2), pp. 89–90
Kafka
The Edge of Darkness
1. You know picture. A lone figure dressed in a black cloak stands at edge of an empty shore and looks out onto a dark, windswept sea, which merges imperceptibly with inky sky. Because his back is turned to us, and because we cannot quite tell if he is wearing a monk's habit or a traveler's cape, figure remains a cipher to us, a mysterious presence inviting identification. What are his thoughts as he gazes into infinite, vertiginous theater befor…
Documents, Photography, Postmemory
The article examines two major German writers of documentary fiction, Alexander Kluge and W. G. Sebald, who incorporate photographs into their work as part of a complex strategy of realism. Both authors are strongly marked by the legacy of Nazi propaganda and its manipulation of photographic images; both authors reflect on the relationship between trauma, war, memory, and representation, especially with regard to family histories. Kluge's emotion…
The Silent Generation? Jewish Refugee Students, Germanistik , and Columbia University
Jewish’ Mimesis? Imitation and Assimilation in Thomas Mann's ‘Wälsungenblut’ and Ludwig Jacobowski's Werther, Der Jude 1
"The "Impossibility of Poetry
If the French Revolution has been important in the modern period, it is not only as a historical event with specific political and social consequences but as an idea, a powerful epistemological tool for thinking about and organizing a certain historical process. The paradox is worth noting. What at first seemed terrifying, chaotic, irrational, to contemporary observers rapidly became the event through which one could make sense of history, ascrib…
Kafka
The Fate of the Self. German Writers and French Theory
The Fate of the Self. German Writers and French Theory." The Germanic Review: Literature, Culture, Theory, 64(2), pp. 89–90
Siegfried Kracauer and Meyer Schapiro
While traveling in Germany in the early 1930s, Meyer Schiapirof caime across the name Siegfried Kracauer as the author of an article about Greta Garbo in the Frankfurier Zeiung. What struck Schapiro, he told mie, was Kracauer's unusual approach his use of a philosophical, phenomnenological vocabulary to talk sensitively about this beautiful woman and exploited filin star. He was also impressed by Kracauer's early sociological study Die Angeslelli…
"The "Impossibility of Poetry
If the French Revolution has been important in the modern period, it is not only as a historical event with specific political and social consequences but as an idea, a powerful epistemological tool for thinking about and organizing a certain historical process. The paradox is worth noting. What at first seemed terrifying, chaotic, irrational, to contemporary observers rapidly became the event through which one could make sense of history, ascrib…
Kafka's Clothes
Kafka's Clothes
Jewish’ Mimesis? Imitation and Assimilation in Thomas Mann's ‘Wälsungenblut’ and Ludwig Jacobowski's Werther, Der Jude 1
Poems
Nicht mit groşen Tönen gesagt”
The Silent Generation? Jewish Refugee Students, Germanistik , and Columbia University
A Festschrift to Inge Halpert Introduction
The Edge of Darkness
1. You know picture. A lone figure dressed in a black cloak stands at edge of an empty shore and looks out onto a dark, windswept sea, which merges imperceptibly with inky sky. Because his back is turned to us, and because we cannot quite tell if he is wearing a monk's habit or a traveler's cape, figure remains a cipher to us, a mysterious presence inviting identification. What are his thoughts as he gazes into infinite, vertiginous theater befor…
Documents, Photography, Postmemory
The article examines two major German writers of documentary fiction, Alexander Kluge and W. G. Sebald, who incorporate photographs into their work as part of a complex strategy of realism. Both authors are strongly marked by the legacy of Nazi propaganda and its manipulation of photographic images; both authors reflect on the relationship between trauma, war, memory, and representation, especially with regard to family histories. Kluge's emotion…
Art (10 works) · Philosophy (7 works) · Art history (5 works) · History (5 works) · Archaeology (4 works) · Franz Kafka Literary Studies (4 works) · Literature (4 works) · Literature and Cultural Memory (4 works) · Philosophy (4 works) · German (3 works)