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The Sculptural Poetics of Euripides' Ion

Reflections of Art, Myth, and Cult from the Parthenon to the Attic Stage

Bibliographic Data

ID9858435
AuthorsJones Jones (corresponding author)
Year2019
Volume88
Issue4
Pages727
Publication date2019-01-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueHesperia The Journal of the American School of Classical Studies at Athens (JOURNAL)
Journal identifiersISSN: 0018-098X • E-ISSN: 1553-5622
PublisherAmerican School of Classical Studies at Athens (ASCSA) (PUBLISHER)
DOI10.2972/hesperia.88.4.0727
OpenAlexW2991067317
LanguageEN
Citations received2
References cited23

Ion, as the son of Apollo, was an object of myth and cult before Euripides composed the Ion in the late 5th century B.C. This article offers an expanded analysis of the play's associations with religious traditions and art, arguing that its original performance cultivated a Pheidian aesthetic that made progressive allusions to sculpture and culminated in an evocation of the imperial Panathenaia. The play also quoted the Parthenon's east frieze, including the depiction there of the peplos ritual. An analysis of related vase painting corroborates this reading and suggests that a comparable mixture of Ionian and Erechtheid mytho-religious iconography was an intentional component of the Parthenon's visual program from its beginnings

Ancient history · Apollo · Art · Art history · Cult · Depiction · Evocation · Frieze · Iconography · Literature · Mythology · Painting · Poetics · Poetry · Sculpture · Visual arts · Ancient Mediterranean Archaeology and History · Archaeology and Historical Studies · Classical Antiquity Studies · History

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Unique citing works2
Citations per year0,4
Citation span2021 - 2021 (1)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 2

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