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Natalie Sarrazin

Biographic Data

ID173009
NAMENatalie Sarrazin
GIVEN NAMESNatalie
FAMILY NAMESarrazin
SIGNATURESARRAZIN N
AFFILIATIONSState University of New York
VERIFIEDNo
TOTAL WORKS9
TOTAL CITATIONS6
WORKS AS AUTHOR9
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1996
LATEST PUBLICATION YEAR2025
H-INDEX1
  • The beatles, the bands, and Bollywood

    Natalie Sarrazin•ARTICLE•South Asian History and Culture•2025•References: 6

  • Launching the journal, opening the forum

    Deborah A Kapchan, Martin Stokes et al.•ARTICLE•Performing Islam•2019

    Preview this article: Launching the journal, opening the forum, Page 1 of 1 /docserver/preview/fulltext/pi/8/1-2/pi_00002_7-1.gif

  • Launching the journal, opening the forum

    Deborah A Kapchan, Martin Stokes et al.•ARTICLE•Performing Islam•2018

  • Divine fusion

    Natalie Sarrazin•ARTICLE•Performing Islam•2017

    Sufi music is a devotional genre of traditional music in South Asia, known for its syncretic blend of literary traditions and musical genres, while rock music, an import from the West, began on the margins of Indian popular music. Early Hindi film, notorious for incorporating popular and traditional musical genres into its pictures, featured both traditional Sufi music (e.g. qawwali) and early rock ‘n’ roll in frequent appearances as ‘item number…

  • Launching the journal, opening the forum

    Deborah A Kapchan, Martin Stokes et al.•ARTICLE•Performing Islam•2017

  • Launching the journal, opening the forum

    Deborah A Kapchan, Martin Stokes et al.•ARTICLE•Performing Islam•2017

  • Teaching Embodied Musickmaking

    Natalie Sarrazin, Sarah Morelli•ARTICLE•College Music Symposium•2016

  • Celluloid love songs

    Open Access•Natalie Sarrazin•ARTICLE•Popular Music•2008•Cited by: 6•References: 4

    In Hindi cinema, love songs comprise the vast majority in an industry in which almost every film contains song and dance numbers. Often incorrectly characterised as narrative interruptions, these celluloid creations contain indigenous aesthetics and self-identifying cultural values, and employ contemporary cinematic techniques which impact film song content and context. How do these cinematic techniques intensify the viewing experience and allow …

  • Music Matters

    Natalie Sarrazin•REVIEW•Ethnomusicology•1996

    What is music? Does music deserve a place in general education? If so why? Music Matters ,develops new answers to these questions through a wide-ranging examination of Music as a diverse human practice. The result is a ground-breaking philosophy of music education that provides critically reasoned perspectives on the nature and significance of performing, listening, musicianship, multiculturalism, creativity, consciousness, curriculum development…

  • Celluloid love songs

    Open Access•Natalie Sarrazin•ARTICLE•Popular Music•2008•Cited by: 6•References: 4

    In Hindi cinema, love songs comprise the vast majority in an industry in which almost every film contains song and dance numbers. Often incorrectly characterised as narrative interruptions, these celluloid creations contain indigenous aesthetics and self-identifying cultural values, and employ contemporary cinematic techniques which impact film song content and context. How do these cinematic techniques intensify the viewing experience and allow …

  • Music Matters

    Natalie Sarrazin•REVIEW•Ethnomusicology•1996

    What is music? Does music deserve a place in general education? If so why? Music Matters ,develops new answers to these questions through a wide-ranging examination of Music as a diverse human practice. The result is a ground-breaking philosophy of music education that provides critically reasoned perspectives on the nature and significance of performing, listening, musicianship, multiculturalism, creativity, consciousness, curriculum development…

  • Celluloid love songs

    Open Access•Natalie Sarrazin•ARTICLE•Popular Music•2008•Cited by: 6•References: 4

    In Hindi cinema, love songs comprise the vast majority in an industry in which almost every film contains song and dance numbers. Often incorrectly characterised as narrative interruptions, these celluloid creations contain indigenous aesthetics and self-identifying cultural values, and employ contemporary cinematic techniques which impact film song content and context. How do these cinematic techniques intensify the viewing experience and allow …

  • Teaching Embodied Musickmaking

    Natalie Sarrazin, Sarah Morelli•ARTICLE•College Music Symposium•2016

  • Divine fusion

    Natalie Sarrazin•ARTICLE•Performing Islam•2017

    Sufi music is a devotional genre of traditional music in South Asia, known for its syncretic blend of literary traditions and musical genres, while rock music, an import from the West, began on the margins of Indian popular music. Early Hindi film, notorious for incorporating popular and traditional musical genres into its pictures, featured both traditional Sufi music (e.g. qawwali) and early rock ‘n’ roll in frequent appearances as ‘item number…

  • Launching the journal, opening the forum

    Deborah A Kapchan, Martin Stokes et al.•ARTICLE•Performing Islam•2017

  • Launching the journal, opening the forum

    Deborah A Kapchan, Martin Stokes et al.•ARTICLE•Performing Islam•2017

  • Launching the journal, opening the forum

    Deborah A Kapchan, Martin Stokes et al.•ARTICLE•Performing Islam•2018

  • Launching the journal, opening the forum

    Deborah A Kapchan, Martin Stokes et al.•ARTICLE•Performing Islam•2019

    Preview this article: Launching the journal, opening the forum, Page 1 of 1 /docserver/preview/fulltext/pi/8/1-2/pi_00002_7-1.gif

  • The beatles, the bands, and Bollywood

    Natalie Sarrazin•ARTICLE•South Asian History and Culture•2025•References: 6

Art (4 works) · Political science (4 works) · Academic Publishing and Open Access (3 works) · Academic Writing and Publishing (3 works) · Biotechnology and Related Fields (3 works) · History (3 works) · Literature (3 works) · Philosophy (3 works) · Sociology (3 works) · South Asian Cinema and Culture (3 works)

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