Steven F White
Biographic Data
| ID | 3585572 |
|---|---|
| NAME | Steven F White |
| GIVEN NAMES | Steven F |
| FAMILY NAME | White |
| SIGNATURE | WHITE S F |
| AFFILIATIONS | Santiago, Chile |
| VERIFIED | No |
| TOTAL WORKS | 64 |
| TOTAL CITATIONS | 3 |
| AUTHOR COUNT | 63 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1982 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 1 |
Poems from the Amazon
Pandemiatin karameamuShuar nekachtai kunkuntean tura ínitak yuraun karammajai,atashu netsepe aya ukukamu uruk yutaimpait nutikas yurimiayiwisha yumiajai.Kunkunikir yunaiyamiaji.Juka karaitiMesemakc
Modern Italy’s Founding Fathers: The Making of a Postwar Republic
This book offers a fresh perspective on the genesis of the Italian republic as viewed through the efforts of its three most influential leaders: Christian Democrat Alcide De Gasperi, Socialist Pietro Nenni and Communist Palmiro Togliatti. The author demonstrates how De Gasperi and his fellow statesmen’s shared experience of Fascist oppression, belief in popular sovereignty and ability to compromise despite ideological differences enabled the crea…
Progressive Renaissance: America and the Reconstruction of Italian Education, 1943–1962
Originally published in 1991. This book concerns the reception and spread of American-style progressivism in post-Fascist Italy. It places educational reconstruction in fuller historical perspective referring to newly-available archival sources. Documenting the Allied input to reconstruction efforts and the response of the Italian bureaucrats and the Church, the book shows the struggle over schooling that sheds light on other political and social…
Synthesis / Dream
Synthesis / Dream* Enrique Verástegui To find God beyond solitude,searching on foot, having crossed history as if by night,to plant a rosebush above the sacred stone altar, an actionthat belongs to the world but not to eternity,the desperation of remaining here,in this world where we were thrown, to floweragainst the unreal, to specify what our hands produce,light flourishing in our hearts, time generating itselfin us now when, in order to reach …
The Flower and the Hummingbird
Portrait on Obsidian
MyWishList Esthela Calderón Givemethedesperate causeofa butterfly I idolize, thedisturbing avenueofyour back, pathwhere I canarchmychest. Givemetheimmaculate unfulfilled delirium oftheflowers, theillumination ofyour face, where I canundress themudfrom mylegs. Givemethereliquary that torments anatheist's neck, hopeandtheechoofthewordYes, where I canmakemyworldeternal. Giveme,then, silly things toa harmonica's rhythm, theperversity ofdays with thei…
Sentinels
MyWishList Esthela Calderón Givemethedesperate causeofa butterfly I idolize, thedisturbing avenueofyour back, pathwhere I canarchmychest. Givemetheimmaculate unfulfilled delirium oftheflowers, theillumination ofyour face, where I canundress themudfrom mylegs. Givemethereliquary that torments anatheist's neck, hopeandtheechoofthewordYes, where I canmakemyworldeternal. Giveme,then, silly things toa harmonica's rhythm, theperversity ofdays with thei…
Jiñocuajo Tree
TheFlowerand theHummingbird Esthela Calderón "I havea hummingbird !" saidtheflower. He wrapsmeinhisfine beak andhiswounding tongue. Shakes mewith thetireless beating ofhiswings. I pulseinhisrushing heart. Sleepontheheights ofhisforest. Asa flower, I rest ontheblinding brightness ofhisplumage. Myhummingbird hurls himself against thebelltower ofmybody. Ripspetalsfrom myflesh. Invents a song with themusicofhisunblinking eyes andthefierceness ofhisfl…
My Wish List
MyWishList Esthela Calderón Givemethedesperate causeofa butterfly I idolize, thedisturbing avenueofyour back, pathwhere I canarchmychest. Givemetheimmaculate unfulfilled delirium oftheflowers, theillumination ofyour face, where I canundress themudfrom mylegs. Givemethereliquary that torments anatheist's neck, hopeandtheechoofthewordYes, where I canmakemyworldeternal. Giveme,then, silly things toa harmonica's rhythm, theperversity ofdays with thei…
Reading Enrique Verástegui
If You Stay in my Country
If You Stay in my Country* Enrique Verástegui In my country poetry barkssweats pisses has dirty armpits.Poetry hangs out in whorehouseswrites songs dances watches itselfwith pleasure in the bathroom mirrorand it knows the sweet taste of lovein those little parks with wigsand moonlitbars.But in my country there are people who talk with their wine bottleson top of blue walls.And poetry rolls by holding your handin the same places that are not the p…
Yachay Hanay
Yachay Hanay* Enrique Verástegui 105. Every soul is aesthetic and all aesthetics is perfection.The works of the soul are as beautiful as a starry sky.A sky where sun and moon meet is the soulthat generates life. The road of the sky is the soul's perfection.Wherever there is no perfection, there is no soul.The soul's perfection prefigures the sky. 106. Every soul is perfection, and that perfection is One.The soul's sky is the exact image of the ce…
Maitreya
Maitreya* Enrique Verástegui I'm sitting here waiting for old age.I'm not thinking or doing anythinguntil another generation comesto blow the dust from what shines, the gilded books,mathematics,body, soul, universe,all this knowledge buried by anger,the gnosis that shows how the infinitecan be found in the finite,where the universe, truly, exists. I flowered more than anyone,but treachery befell me,leaving me bent like a flower,rusted and without…
Leyendo a Enrique Verástegui
Wheel of Fortune
MyWishList Esthela Calderón Givemethedesperate causeofa butterfly I idolize, thedisturbing avenueofyour back, pathwhere I canarchmychest. Givemetheimmaculate unfulfilled delirium oftheflowers, theillumination ofyour face, where I canundress themudfrom mylegs. Givemethereliquary that torments anatheist's neck, hopeandtheechoofthewordYes, where I canmakemyworldeternal. Giveme,then, silly things toa harmonica's rhythm, theperversity ofdays with thei…
Cañete
Cañete* Enrique Verástegui In 1950, I still hadn't started wandering through Cañete,nor did my name appear on the post office box:my town was smaller than it is now, more colorful,and noisier: there was no pavement or electricity,water or sewers,and its fresh sky, painted better than one by Seurat,was the envy of anyone within a 1000 kilometers.In my little village there wasn't a single day without celebration:and the songs flourished as happily …
Cipango by Tomás Harris, Daniel Shapiro
UJ > m es Z tu eS D H < es H D -j es O tional dishonesty of Curtis and his imitators and of some of Rogovin's compatriot social documentarians of the 1930s: Rogovin never posed his subjects, nor changed their clothing, nor removed them from their per sonal habitats. Subjects were asked to choose their own poses and their own places inwhich to be photo graphed. Rogovin's photographs do not suggest that theseNative people are members of a disappear…
Homeless
Translating the African Diaspora
Translating the African Diaspora Steven F. White (bio) My ongoing, deeply fulfilling collaboration with Callaloo dates back to the translations I prepared for the 1995 special issue on African Brazilian Literature, which was dedicated to "Zumbi of Palmares and to all who resisted enslavement and other forms of oppression in the Americas." The issue marks the 300th anniversary of the death of Zumbi and is entirely bilingual, a composite publicatio…
F. G. L
F. G. L. Gastón Baquero (bio) Translated by Greg Simon (bio) and Steven F. White (bio) Peace. Now it's death that has landed on the steel bands around his chest. Today the dawn unmakes his bed, and his dreams play on in the mirror. A whole life has been summoned into a limitless field, space still empty of his being. He decides to go, to hear his luminous silence spill. He will need to drink the fragrance of the snow he shelters, of the sands tha…
The River
The River Gastón Baquero (bio) Translated by Greg Simon (bio) and Steven F. White (bio) I've spent sixty years on the banks of a river. Only those who are living there can see it. People heading toward the western market looked at us with fear. They don't understand why the dampness would cling to our clothing, or how we'd reel in those fish for them, the color of blood oranges, from the invisible water. One day a man fell in, and did not reappea…
Homage to Jean Cocteau
Homage to Jean Cocteau Gastón Baquero (bio), Greg Simon (bio), and Steven F. White (bio) Il vous faudrait mourir pour joindre les deux boust. —Jean Cocteau, on the death of Eluard The rope dancer, crossing at the apex of the circus, astonishes his audience. People can't believe how he feels his way past mirrors, pleading for keys in order to get across that other, tenser, more perilous wire. On each side, angels dressed as harlequins support him,…
Hands
Hands Gastón Baquero (bio) Translated by Greg Simon (bio) and Steven F. White (bio) Are you blind to the fact that God gave you those hands? I'm asking you again. —Vicente Huidobro I would like to cut off your hands with a golden saw. Or perhaps it would be best to leave them alone And enclose your body in a wall of cement, With only two exact holes For you to stick out your hands and flap them Like a dove's wings or like prisoners of an implacab…
Adam in Paradise
Adam in Paradise Gastón Baquero (bio) Translated by Greg Simon (bio) and Steven F. White (bio) Adam takes his very first stroll alone with the origin of wind in his hair, destroying empty space, giving human breath to stars and desire to all metals. Now the universe is a Sabian garden that sings, a perfumed place that turns the ground into earth, the air into wind, expanding the light to unveil desire. Where burning lava once burst into flame, th…
El mundo más que humano en la poesía de Pablo Antonio Cuadra: Un estudio ecocrítico
Merceditas
Nancy Morejón, Cuban scholar and poet, is Director of Caribbean Studies at Cuba's premier cultural studies institute, Casa de las Americas. She is the author of Mutismos (1962), Amor, cíudad atribuída (1964), Richard trajo se flauta (1967), Parajes de una época (1979), Poemas (1980), Elogio de la danza (1982), Octubre imprescindible (1983), and Cuarderno de Granada (1984), in addition to critical works focusing particularly on Cuban poet Nicolás …
Reinventing a Sacred Past in Contemporary Afro-Brazilian Poetry: An Introduction
Reinventing a Sacred Past in Contemporary Afro-Brazilian PoetryAn Introduction Steven F. White (bio) It would be difficult for a contemporary reader not to feel deeply ambivalent toward the ideas that French sociologist Roger Bastide expresses in his groundbreaking 1943 essay “A Poesia Afro-Brasileira” [Afro-Brazilian Poetry]. On the one hand, one admires the author’s evident enthusiasm with regard to what he characterizes as the “deeply-moving b…
Progressive Renaissance: America and the Reconstruction of Italian Education, 1943-1962
Poets of Nicaragua: A Bilingual Anthology, 1918-1979
Rebellion
Progressive Renaissance: America and the Reconstruction of Italian Education, 1943-1962
Modern Nicaraguan Poetry, Dialogues with France and the United States
Reinventing a Sacred Past in Contemporary Afro-Brazilian Poetry: An Introduction
Reinventing a Sacred Past in Contemporary Afro-Brazilian PoetryAn Introduction Steven F. White (bio) It would be difficult for a contemporary reader not to feel deeply ambivalent toward the ideas that French sociologist Roger Bastide expresses in his groundbreaking 1943 essay “A Poesia Afro-Brasileira” [Afro-Brazilian Poetry]. On the one hand, one admires the author’s evident enthusiasm with regard to what he characterizes as the “deeply-moving b…
Reinventing a Sacred Past in Contemporary Afro-Brazilian Poetry: Five African-Brazilian Poets from Livro de Falas [Book of Voices]
Callaloo - Volume 20, Number 1, Winter 1997
Gentleman Rebel’: H. Stuart Hughes, the OSS and the Resistance
Walking Around
Lake Waban
Nancy Morejón, Cuban scholar and poet, is Director of Caribbean Studies at Cuba's premier cultural studies institute, Casa de las Americas. She is the author of Mutismos (1962), Amor, cíudad atribuída (1964), Richard trajo se flauta (1967), Parajes de una época (1979), Poemas (1980), Elogio de la danza (1982), Octubre imprescindible (1983), and Cuarderno de Granada (1984), in addition to critical works focusing particularly on Cuban poet Nicolás …
The Painter José Luiz S
Callaloo - Volume 24, Number 4, Fall 2001
Corália her Food
Edimilson de Almeida Pereira lives in Juiz de Fora in the state of Minas Gerais, Brazil. He has published poetry and studies of Brazilian culture which include Corpo vivido, A roda do mundo (with Ricardo Aleixo), Negras raízes mineiras: Os arturos, and Mundo encaixado: Significação da cultura popular. He teaches Brazilian literature at the Federal University in Juiz de Fora
Cloak
Nancy Morejón, Cuban scholar and poet, is Director of Caribbean Studies at Cuba's premier cultural studies institute, Casa de las Americas. She is the author of Mutismos (1962), Amor, cíudad atribuída (1964), Richard trajo se flauta (1967), Parajes de una época (1979), Poemas (1980), Elogio de la danza (1982), Octubre imprescindible (1983), and Cuarderno de Granada (1984), in addition to critical works focusing particularly on Cuban poet Nicolás …
Merceditas
Nancy Morejón, Cuban scholar and poet, is Director of Caribbean Studies at Cuba's premier cultural studies institute, Casa de las Americas. She is the author of Mutismos (1962), Amor, cíudad atribuída (1964), Richard trajo se flauta (1967), Parajes de una época (1979), Poemas (1980), Elogio de la danza (1982), Octubre imprescindible (1983), and Cuarderno de Granada (1984), in addition to critical works focusing particularly on Cuban poet Nicolás …
The Painter Estêvão Silva
Callaloo - Volume 24, Number 4, Fall 2001
Mississippi
Orpheus
Orpheus Edimilson de Almeida Pereira Translated by Steven F. White 1. carnaval belongs to Saturdaywith stories about deadboxcars over the deadgrandfather spirituals on the Sedan record player at 78 45 33 16 rpm carnaval movesin a costumed thirst 2. the afternoon ripenshappiness of mangoes in the air hope doesn't on the patiothe shadow of vigils the absurd cat [End Page 1142] hair gives way to lifea swaying that can barely be seen hope doesn't 3. …
Unsuffered Parts of a Wife's Letter
Callaloo - Volume 24, Number 4, Fall 2001
Sunday
Edimilson de Almeida Pereira lives in Juiz de Fora in the state of Minas Gerais, Brazil. He has published poetry and studies of Brazilian culture which include Corpo vivido, A roda do mundo (with Ricardo Aleixo), Negras raízes mineiras: Os arturos, and Mundo encaixado: Significação da cultura popular. He teaches Brazilian literature at the Federal University in Juiz de Fora
The Painter Jorge Dos Anjos
Callaloo - Volume 24, Number 4, Fall 2001
Banner of Agony
Edimilson de Almeida Pereira lives in Juiz de Fora in the state of Minas Gerais, Brazil. He has published poetry and studies of Brazilian culture which include Corpo vivido, A roda do mundo (with Ricardo Aleixo), Negras raízes mineiras: Os arturos, and Mundo encaixado: Significação da cultura popular. He teaches Brazilian literature at the Federal University in Juiz de Fora
Dear Listeners
Edimilson de Almeida Pereira lives in Juiz de Fora in the state of Minas Gerais, Brazil. He has published poetry and studies of Brazilian culture which include Corpo vivido, A roda do mundo (with Ricardo Aleixo), Negras raízes mineiras: Os arturos, and Mundo encaixado: Significação da cultura popular. He teaches Brazilian literature at the Federal University in Juiz de Fora
Book
Edimilson de Almeida Pereira lives in Juiz de Fora in the state of Minas Gerais, Brazil. He has published poetry and studies of Brazilian culture which include Corpo vivido, A roda do mundo (with Ricardo Aleixo), Negras raízes mineiras: Os arturos, and Mundo encaixado: Significação da cultura popular. He teaches Brazilian literature at the Federal University in Juiz de Fora
Dorva's House
Edimilson de Almeida Pereira lives in Juiz de Fora in the state of Minas Gerais, Brazil. He has published poetry and studies of Brazilian culture which include Corpo vivido, A roda do mundo (with Ricardo Aleixo), Negras raízes mineiras: Os arturos, and Mundo encaixado: Significação da cultura popular. He teaches Brazilian literature at the Federal University in Juiz de Fora
Brasil: Panorama De Interações E Conflitos Numa Sociedade Multicultural
Este artigo examina o panorama das interações e conflitos dentro da sociedade multicultural brasileira. Os autores argumentam que, apesar do ideal de uma democracia racial, a nação enfrenta desafios complexos relacionados à desigualdade racial e à discriminação. O texto explora as tensões entre a retórica da harmonia racial e a realidade das disparidades socioeconômicas, analisando como as relações raciais se manifestam em diferentes esferas da v…
Notes for a Feline Sonnet
Art (48 works) · Art history (29 works) · Literature (25 works) · Humanities (24 works) · Poetry (21 works) · History (20 works) · Geography (11 works) · Sociology (11 works) · Cultural and Social Studies in Latin America (9 works) · Literature, Culture, and Criticism (9 works)