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M A Katritzky

Biographic Data

ID5663303
NAMEM A Katritzky
GIVEN NAMESM A
FAMILY NAMEKatritzky
SIGNATUREKATRITZKY M A
AFFILIATIONSThe Open University
ORCID0000-0001-9270-5419
VERIFIEDYes
TOTAL WORKS14
TOTAL CITATIONS3
AUTHOR COUNT13
EDITOR COUNT1
FIRST PUBLICATION YEAR1987
LATEST PUBLICATION YEAR2024
H-INDEX1
  • The Merchant Scene of Biblical Drama

    Open Access•M A Katritzky•ARTICLE•Journal of the Bible and its…•2024

    This paper examines a ground-breaking innovation to medieval Easter plays: the creation of the extra-biblical merchant scene, in which the Marys purchase spices prior to their Visitatio Sepulchri . The patron of its earliest known representation was the female religious leader Uta von Kirchberg. An illuminated roundel in the Uta Codex she commissioned towards the end of her term as abbess of Niedermünster (1002–25), depicts the Holy women purchas…

  • Shakespearean Players in Early Modern Europe

    Open Access•Pavel Drábek, M A Katritzky•CHAPTER•Cambridge Guide to the Worlds of…•2019

    From the records, we know that English players were active in many parts of Europe for almost a century, from the 1580s until their gradual decline in the later seventeenth century. For a number of reasons, research into this exceptionally transitory theatrical phenomenon, recognized for its crucial influence on the establishment of professional theatre in the German-speaking countries is particularly challenging. Not least, this is because the v…

  • Mountebanks, mummers and masqueraders in Thomas Platter’s diary (1595–1600) 1

    M A Katritzky•CHAPTER•Renaissance Theatre•2019

    The iconographie tradition of masked masqueraders and mummers is strong in illustrated alba amicorum, where it goes back to around 1570, with close compositional links between them, whether painted or engraved. As a physician, Thomas Platter had a lively professional interest in spectacles with any sort of medical slant to them, and recorded with particular attention traditional carnival practices and the activities of travelling entertainers and…

  • Reading the Actress in Commedia Imagery

    M A Katritzky•CHAPTER•Women Players in England, 1500-1660•2019

    Women had been performing in Europe and England long before the commedia dell’arte created the first female stars. Nonetheless, commedia troupes are rightly credited with pioneering the systematic promotion of professional actresses as celebrity performers. Soon the comici were drawing Italian audiences away from the amateur players of the regular comedy, who always used males for women’s roles. A better approach is to “read” individual pictures …

  • Transnational connections in early modern theatre

    Pavel ábek, M A Katritzky et al.•BOOK•Transnational Connections in…•2019•Cited by: 1

    This volume explores the transnationality and interculturality of early modern performance in multiple languages, cultures, countries and genres. Its twelve essays compose a complex image of theatre connections as a socially, economically, politically and culturally rich tissue of networks and influences. With particular attention to itinerant performers, court festival, and the Black, Muslim and Jewish impact, they combine disciplines and method…

  • A Wonderfull Monster Borne in Germany’

    Open Access•M A Katritzky•ARTICLE•German Life and Letters•2014•Cited by: 1

    Human hirsuteness, or pathological hair growth, can be symptomatic of various conditions, including genetic mutation or inheritance, and some cancers and hormonal disturbances. Modern investigations into hirsuteness were initiated by nineteenth‐century German physicians. Most early modern European cases of hypertrichosis (genetically determined all‐over body and facial hair) involve German‐speaking parentage or patronage, and are documented in Ge…

  • From Physick to Pharmacology

    M A Katritzky•ARTICLE•Sixteenth Century Journal•2009

  • Secrets of Women

    M A Katritzky•ARTICLE•Social History of Medicine•2008

    Journal Article Secrets of Women: Gender, Generation and the Origins of Human Dissection Get access Katharine Park, Secrets of Women: Gender, Generation and the Origins of Human Dissection, New York: Zone Books, 2006. Pp. 420. $36.95. ISBN 978-1890951672 M. A. Katritzky M. A. Katritzky The Open University, Milton Keynes Search for other works by this author on: Oxford Academic PubMed Google Scholar Social History of Medicine, Volume 21, Issue 1, …

  • Marketing medicine

    Open Access•M A Katritzky•ARTICLE•Renaissance Studies•2001•Cited by: 1

  • A German Description of the Florentine Intermedi of 1565

    M A Katritzky•ARTICLE•Italian Studies•1997

    On 20 November 1565 Prince Ferdinand of Bavaria (1550–1608) led a party from Munich to Florence. Here he represented his parents Albrecht and Anna of Bavaria at the wedding of Anna's sister, Johanna of Austria, to Duke Francesco de' Medici. Ferdinand also visited two more of his Habsburg aunts before returning home two weeks after his sixteenth birthday, on 2 February 1566. They were Eleanor, who had married Duke Guglielmo Gonzaga of Mantua in 15…

  • Harlequin in Renaissance Pictures

    Open Access•M A Katritzky•ARTICLE•Renaissance Studies•1997

  • Harlequin in Renaissance pictures

    Open Access•M A Katritzky•ARTICLE•Renaissance Studies•1997

    Identifies and classifies early modern depictions of Harlequins and other comic performers in patched costume. The Harlequin costume can e traced to the commedia dell'arte tradition and seems to have been a role first established by Tristano Martinelli (1557-1630) while performing in Paris. Some early Harlequin depictions reflect specific performances by Martinelli himself, some are general depictions of stage practice and custom, and others are …

  • Lodewyk Toeput

    Open Access•M A Katritzky•ARTICLE•Renaissance Studies•1987

    Overviews the role of the visual record in studies of the early commedia dell'arte, and examines ten pictures attributed to Lodewyk Toeput (c.1550-1605) within the context of six stylistically and/or compositionally related groups of theatrical pictures associated with artists such as Ambrose I Francken, Joos de Momper, Louis de Caulery, Leandro Bassano, Marten de Vos and Sebastian Vrancx. Many of the twenty-nine pictures discussed are previously…

  • Lodewyk Toeput

    Open Access•M A Katritzky, Kathleen Marguerite Lea•ARTICLE•Renaissance Studies•1987

  • Transnational connections in early modern theatre

    Pavel ábek, M A Katritzky et al.•BOOK•Transnational Connections in…•2019•Cited by: 1

    This volume explores the transnationality and interculturality of early modern performance in multiple languages, cultures, countries and genres. Its twelve essays compose a complex image of theatre connections as a socially, economically, politically and culturally rich tissue of networks and influences. With particular attention to itinerant performers, court festival, and the Black, Muslim and Jewish impact, they combine disciplines and method…

  • A Wonderfull Monster Borne in Germany’

    Open Access•M A Katritzky•ARTICLE•German Life and Letters•2014•Cited by: 1

    Human hirsuteness, or pathological hair growth, can be symptomatic of various conditions, including genetic mutation or inheritance, and some cancers and hormonal disturbances. Modern investigations into hirsuteness were initiated by nineteenth‐century German physicians. Most early modern European cases of hypertrichosis (genetically determined all‐over body and facial hair) involve German‐speaking parentage or patronage, and are documented in Ge…

  • Marketing medicine

    Open Access•M A Katritzky•ARTICLE•Renaissance Studies•2001•Cited by: 1

  • Lodewyk Toeput

    Open Access•M A Katritzky•ARTICLE•Renaissance Studies•1987

    Overviews the role of the visual record in studies of the early commedia dell'arte, and examines ten pictures attributed to Lodewyk Toeput (c.1550-1605) within the context of six stylistically and/or compositionally related groups of theatrical pictures associated with artists such as Ambrose I Francken, Joos de Momper, Louis de Caulery, Leandro Bassano, Marten de Vos and Sebastian Vrancx. Many of the twenty-nine pictures discussed are previously…

  • Lodewyk Toeput

    Open Access•M A Katritzky, Kathleen Marguerite Lea•ARTICLE•Renaissance Studies•1987

  • A German Description of the Florentine Intermedi of 1565

    M A Katritzky•ARTICLE•Italian Studies•1997

    On 20 November 1565 Prince Ferdinand of Bavaria (1550–1608) led a party from Munich to Florence. Here he represented his parents Albrecht and Anna of Bavaria at the wedding of Anna's sister, Johanna of Austria, to Duke Francesco de' Medici. Ferdinand also visited two more of his Habsburg aunts before returning home two weeks after his sixteenth birthday, on 2 February 1566. They were Eleanor, who had married Duke Guglielmo Gonzaga of Mantua in 15…

  • Harlequin in Renaissance Pictures

    Open Access•M A Katritzky•ARTICLE•Renaissance Studies•1997

  • Harlequin in Renaissance pictures

    Open Access•M A Katritzky•ARTICLE•Renaissance Studies•1997

    Identifies and classifies early modern depictions of Harlequins and other comic performers in patched costume. The Harlequin costume can e traced to the commedia dell'arte tradition and seems to have been a role first established by Tristano Martinelli (1557-1630) while performing in Paris. Some early Harlequin depictions reflect specific performances by Martinelli himself, some are general depictions of stage practice and custom, and others are …

  • Marketing medicine

    Open Access•M A Katritzky•ARTICLE•Renaissance Studies•2001•Cited by: 1

  • Secrets of Women

    M A Katritzky•ARTICLE•Social History of Medicine•2008

    Journal Article Secrets of Women: Gender, Generation and the Origins of Human Dissection Get access Katharine Park, Secrets of Women: Gender, Generation and the Origins of Human Dissection, New York: Zone Books, 2006. Pp. 420. $36.95. ISBN 978-1890951672 M. A. Katritzky M. A. Katritzky The Open University, Milton Keynes Search for other works by this author on: Oxford Academic PubMed Google Scholar Social History of Medicine, Volume 21, Issue 1, …

  • From Physick to Pharmacology

    M A Katritzky•ARTICLE•Sixteenth Century Journal•2009

  • A Wonderfull Monster Borne in Germany’

    Open Access•M A Katritzky•ARTICLE•German Life and Letters•2014•Cited by: 1

    Human hirsuteness, or pathological hair growth, can be symptomatic of various conditions, including genetic mutation or inheritance, and some cancers and hormonal disturbances. Modern investigations into hirsuteness were initiated by nineteenth‐century German physicians. Most early modern European cases of hypertrichosis (genetically determined all‐over body and facial hair) involve German‐speaking parentage or patronage, and are documented in Ge…

  • Shakespearean Players in Early Modern Europe

    Open Access•Pavel Drábek, M A Katritzky•CHAPTER•Cambridge Guide to the Worlds of…•2019

    From the records, we know that English players were active in many parts of Europe for almost a century, from the 1580s until their gradual decline in the later seventeenth century. For a number of reasons, research into this exceptionally transitory theatrical phenomenon, recognized for its crucial influence on the establishment of professional theatre in the German-speaking countries is particularly challenging. Not least, this is because the v…

  • Mountebanks, mummers and masqueraders in Thomas Platter’s diary (1595–1600) 1

    M A Katritzky•CHAPTER•Renaissance Theatre•2019

    The iconographie tradition of masked masqueraders and mummers is strong in illustrated alba amicorum, where it goes back to around 1570, with close compositional links between them, whether painted or engraved. As a physician, Thomas Platter had a lively professional interest in spectacles with any sort of medical slant to them, and recorded with particular attention traditional carnival practices and the activities of travelling entertainers and…

  • Reading the Actress in Commedia Imagery

    M A Katritzky•CHAPTER•Women Players in England, 1500-1660•2019

    Women had been performing in Europe and England long before the commedia dell’arte created the first female stars. Nonetheless, commedia troupes are rightly credited with pioneering the systematic promotion of professional actresses as celebrity performers. Soon the comici were drawing Italian audiences away from the amateur players of the regular comedy, who always used males for women’s roles. A better approach is to “read” individual pictures …

  • Transnational connections in early modern theatre

    Pavel ábek, M A Katritzky et al.•BOOK•Transnational Connections in…•2019•Cited by: 1

    This volume explores the transnationality and interculturality of early modern performance in multiple languages, cultures, countries and genres. Its twelve essays compose a complex image of theatre connections as a socially, economically, politically and culturally rich tissue of networks and influences. With particular attention to itinerant performers, court festival, and the Black, Muslim and Jewish impact, they combine disciplines and method…

  • The Merchant Scene of Biblical Drama

    Open Access•M A Katritzky•ARTICLE•Journal of the Bible and its…•2024

    This paper examines a ground-breaking innovation to medieval Easter plays: the creation of the extra-biblical merchant scene, in which the Marys purchase spices prior to their Visitatio Sepulchri . The patron of its earliest known representation was the female religious leader Uta von Kirchberg. An illuminated roundel in the Uta Codex she commissioned towards the end of her term as abbess of Niedermünster (1002–25), depicts the Holy women purchas…

Art (11 works) · History (9 works) · History (7 works) · Art history (6 works) · Classics (5 works) · Classics (5 works) · Computer Science (5 works) · Archaeology (4 works) · Philippine History and Culture (4 works) · The Renaissance (4 works)

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