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Frank Mitjans

Biographic Data

ID5920063
NAMEFrank Mitjans
GIVEN NAMESFrank
FAMILY NAMEMitjans
SIGNATUREMITJANS F
AFFILIATIONSThomas More University
VERIFIEDNo
TOTAL WORKS11
TOTAL CITATIONS0
AUTHOR COUNT11
EDITOR COUNT0
FIRST PUBLICATION YEAR2007
LATEST PUBLICATION YEAR2023
H-INDEX0
  • Concepción Cabrillana, Tomás Moro: Diálogos de Luciano. Introducción, traducción del original latino y notas

    Open Access•Frank Mitjans•ARTICLE•Moreana•2023

  • On Dom John Bouge

    Open Access•Frank Mitjans•ARTICLE•Moreana•2023

  • Before Utopia: The Making of Thomas More's Mind

    Open Access•Frank Mitjans•ARTICLE•Renaissance Quarterly•2023

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • The “Discovery” of the Autograph of Thomas More's De Tristitia Christi through Andrés Vázquez de Prada

    Open Access•Frank Mitjans•ARTICLE•Moreana•2021

  • Oedipus's Riddle: Elizabethan transformation of the family portrait of Thomas More, an Appendix to “ Non sum Oedipus sed Morus ”

    Open Access•Frank Mitjans•ARTICLE•Moreana•2019

    Holbein produced a drawing of Sir Thomas More and his Family which was a preparatory sketch for a larger painting. The painting was acquired by Karl von Liechtenstein-Kastelkron (1623–95), Archbishop of Olomouc, Moravia, and was last recorded in 1691 as being kept in the episcopal residence in Olomouc; it is generally assumed that the painting was lost in the 1752 fire at the Archbishop's château in Kroměřiž. There are, however, five extant versi…

  • Pedro de Ribadeneyra's “Ecclesiastical History of the Schism of the Kingdom of England”: A Spanish Jesuit's History of the English Reformation , ed. and trans. Spencer J. Weinreich

    Open Access•Frank Mitjans•ARTICLE•Moreana•2018

  • In Memoriam Dominic Baker-Smith

    Open Access•Elizabeth Mccutcheon, Frank Mitjans•ARTICLE•Moreana•2016

  • St. Thomas More and St. John Chrysostom

    Open Access•Frank Mitjans•ARTICLE•Moreana•2016

    In the introduction to Translations of Lucian, More wrote that “of all learned men” Chrysostom was “the most Christian and – at least in [his] opinion – of all Christians the most learned.” It is worth considering how much they were in tune. In 1499 More had access to a new manuscript of Chrysostom’s Commentary on the Gospel of St. Matthew, now in Corpus Christi College. In the first homily Chrysostom gives an overall view of his work and of the …

  • Exhibition: The Northern Renaissance: Dürer to Holbein , The Royal Collection, The Queen’s Gallery, Buckingham Palace, London, 2 November 2012 to 14 April 2013

    Open Access•Frank Mitjans•ARTICLE•Moreana•2013

  • The Date of Birth of Thomas More

    Open Access•Frank Mitjans•ARTICLE•Moreana•2010

    Since the discovery in 1868 of the memoranda written by Thomas More’s father, most scholars have held that More was born on 7 February 1478. Some, however, have considered the evidence to be problematic and argued for 7 February 1477 or 6 February 1478 instead. The present article reviews the arguments and offers reasons for accepting as trustworthy the date of 7 February 1478 given in the family memoranda, based mainly on the relevance of the Fe…

  • Non sum Oedipus, sed Morus: A Paper on the Portrait of Sir Thomas More and his Family

    Open Access•Frank Mitjans•ARTICLE•Moreana•2007

    Frank Mitjans is an architect who has worked in London since 1976. He was introduced to the significance of the figure of St. Thomas More by Andrés Vázquez de Prada (1923-2005), author of the biography, Sir Tomás Moro, Lord Canciller de Inglaterra (Madrid, 1962). In 1977 Vázquez de Prada invited Mitjans to visit with him the Thomas More Exhibition at the National Portrait Gallery, which stimulated his interest in representations of More, his fami…

No prominent works on this page.

  • Non sum Oedipus, sed Morus: A Paper on the Portrait of Sir Thomas More and his Family

    Open Access•Frank Mitjans•ARTICLE•Moreana•2007

    Frank Mitjans is an architect who has worked in London since 1976. He was introduced to the significance of the figure of St. Thomas More by Andrés Vázquez de Prada (1923-2005), author of the biography, Sir Tomás Moro, Lord Canciller de Inglaterra (Madrid, 1962). In 1977 Vázquez de Prada invited Mitjans to visit with him the Thomas More Exhibition at the National Portrait Gallery, which stimulated his interest in representations of More, his fami…

  • The Date of Birth of Thomas More

    Open Access•Frank Mitjans•ARTICLE•Moreana•2010

    Since the discovery in 1868 of the memoranda written by Thomas More’s father, most scholars have held that More was born on 7 February 1478. Some, however, have considered the evidence to be problematic and argued for 7 February 1477 or 6 February 1478 instead. The present article reviews the arguments and offers reasons for accepting as trustworthy the date of 7 February 1478 given in the family memoranda, based mainly on the relevance of the Fe…

  • Exhibition: The Northern Renaissance: Dürer to Holbein , The Royal Collection, The Queen’s Gallery, Buckingham Palace, London, 2 November 2012 to 14 April 2013

    Open Access•Frank Mitjans•ARTICLE•Moreana•2013

  • In Memoriam Dominic Baker-Smith

    Open Access•Elizabeth Mccutcheon, Frank Mitjans•ARTICLE•Moreana•2016

  • St. Thomas More and St. John Chrysostom

    Open Access•Frank Mitjans•ARTICLE•Moreana•2016

    In the introduction to Translations of Lucian, More wrote that “of all learned men” Chrysostom was “the most Christian and – at least in [his] opinion – of all Christians the most learned.” It is worth considering how much they were in tune. In 1499 More had access to a new manuscript of Chrysostom’s Commentary on the Gospel of St. Matthew, now in Corpus Christi College. In the first homily Chrysostom gives an overall view of his work and of the …

  • Pedro de Ribadeneyra's “Ecclesiastical History of the Schism of the Kingdom of England”: A Spanish Jesuit's History of the English Reformation , ed. and trans. Spencer J. Weinreich

    Open Access•Frank Mitjans•ARTICLE•Moreana•2018

  • Oedipus's Riddle: Elizabethan transformation of the family portrait of Thomas More, an Appendix to “ Non sum Oedipus sed Morus ”

    Open Access•Frank Mitjans•ARTICLE•Moreana•2019

    Holbein produced a drawing of Sir Thomas More and his Family which was a preparatory sketch for a larger painting. The painting was acquired by Karl von Liechtenstein-Kastelkron (1623–95), Archbishop of Olomouc, Moravia, and was last recorded in 1691 as being kept in the episcopal residence in Olomouc; it is generally assumed that the painting was lost in the 1752 fire at the Archbishop's château in Kroměřiž. There are, however, five extant versi…

  • The “Discovery” of the Autograph of Thomas More's De Tristitia Christi through Andrés Vázquez de Prada

    Open Access•Frank Mitjans•ARTICLE•Moreana•2021

  • Concepción Cabrillana, Tomás Moro: Diálogos de Luciano. Introducción, traducción del original latino y notas

    Open Access•Frank Mitjans•ARTICLE•Moreana•2023

  • On Dom John Bouge

    Open Access•Frank Mitjans•ARTICLE•Moreana•2023

  • Before Utopia: The Making of Thomas More's Mind

    Open Access•Frank Mitjans•ARTICLE•Renaissance Quarterly•2023

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

Art (8 works) · Art history (6 works) · Humanities (5 works) · Philosophy (5 works) · History (4 works) · Theology (4 works) · Classics (3 works) · Law (3 works) · Biography (2 works) · Early Modern Women Writers (2 works)

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