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Rachel Garfield

Biographic Data

ID6155976
NAMERachel Garfield
GIVEN NAMESRachel
FAMILY NAMEGarfield
SIGNATUREGARFIELD R
AFFILIATIONSUniversity of Salford
VERIFIEDNo
TOTAL WORKS9
TOTAL CITATIONS5
WORKS AS AUTHOR9
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2001
LATEST PUBLICATION YEAR2016
H-INDEX1
  • Deflationary tactics with the archive of life

    Richard Garfield, Rachel Garfield•ARTICLE•Journal of Modern Jewish Studies•2016•References: 3

    This paper discusses art works by Suzanne Treister, Deborah Kass and Doug Fishbone. It considers the importance of their work for contemporary Jewish identity within the terms of wider conceptual questions that preoccupy contemporary art. These concerns are challenging the perceived structures of power, the “performance” of subjectivity and the questioning of authenticity. A deflationary aesthetic is central to the critique of these structures of…

  • The Stephen Dwoskin dossier

    Richard Garfield, Rachel Garfield•ARTICLE•Screen•2016

    This dossier aims to consider the contribution Stephen Dwoskin and his work made to the development of film and its infrastructure in the UK from 1964 when he arrived in the London until his death in 2012. Dwoskin not only straddled different contexts and ideologies about film but advocated for the support of work in a wide variety of forms. Because of this he was not easily categorizeable. Much of the work analyzing his camera work and his contr…

  • Imagining Multicultural London

    Richard Garfield, Rachel Garfield•ARTICLE•European Judaism•2014

    Snatch (Guy Ritchie, 2000) is a comic-book gangster film that can be seen to represent the backlash against perceived notions of political correctness in what is effectively a public-schoolboy fantasy of working-class life in East London. However, the film also delineates the limits of this backlash in its depiction of minorities as either contained or excess. This is highlighted through the comic-book genre itself as well as the characterization…

  • Articulating a position through research

    Richard Garfield, Rachel Garfield•ARTICLE•Journal of Media Practice•2007

    This paper takes the form of a case study and aims to raise key issues in the process of a practice-led PhD. The subject of study in the PhD was to research the problematics of an art practice exploring Jewish identity in Britain. The methodology included the making of video installations and contextual theoretical writing that encompassed cultural studies, film theory, critical theory and art history. The paper gives detailed examples of my meth…

  • A Bifurcated History (And So It Goes On) by Lisa E Bloom

    Open Access•Richard Garfield, Rachel Garfield•ARTICLE•Art History•2007

  • Towards a Re‐Articulation of Cultural Identity

    Richard Garfield, Rachel Garfield•ARTICLE•Third Text•2006•Cited by: 1

    In this paper I will question the way artists who are exploring issues of Jewish identity make use of history and memory in their work. 1 I focus on three artists, representative of a wider trend i

  • Historical Overview of Children's Health Care Coverage

    Cindy Mann, Diane Rowland et al.•ARTICLE•The Future of Children•2003•Cited by: 2

    America's public health insurance programs reflect a deeply rooted commitment to caring for low-income families and children. This article chronicles the evolution of Medicaid and the State Children's Health Insurance Program (SCHIP), two public programs designed to provide free or low-cost health coverage to low-income children who do not have access to private health insurance. Such a historical overview is key to understanding where the progra…

  • Ali G

    Richard Garfield, Rachel Garfield•ARTICLE•Third Text•2001•Cited by: 1

  • Ali G

    Richard Garfield, Rachel Garfield•ARTICLE•Third Text•2001•Cited by: 1

  • Historical Overview of Children's Health Care Coverage

    Cindy Mann, Diane Rowland et al.•ARTICLE•The Future of Children•2003•Cited by: 2

    America's public health insurance programs reflect a deeply rooted commitment to caring for low-income families and children. This article chronicles the evolution of Medicaid and the State Children's Health Insurance Program (SCHIP), two public programs designed to provide free or low-cost health coverage to low-income children who do not have access to private health insurance. Such a historical overview is key to understanding where the progra…

  • Towards a Re‐Articulation of Cultural Identity

    Richard Garfield, Rachel Garfield•ARTICLE•Third Text•2006•Cited by: 1

    In this paper I will question the way artists who are exploring issues of Jewish identity make use of history and memory in their work. 1 I focus on three artists, representative of a wider trend i

  • Ali G

    Richard Garfield, Rachel Garfield•ARTICLE•Third Text•2001•Cited by: 1

  • Ali G

    Richard Garfield, Rachel Garfield•ARTICLE•Third Text•2001•Cited by: 1

  • Ali G

    Richard Garfield, Rachel Garfield•ARTICLE•Third Text•2001•Cited by: 1

  • Ali G

    Richard Garfield, Rachel Garfield•ARTICLE•Third Text•2001•Cited by: 1

  • Historical Overview of Children's Health Care Coverage

    Cindy Mann, Diane Rowland et al.•ARTICLE•The Future of Children•2003•Cited by: 2

    America's public health insurance programs reflect a deeply rooted commitment to caring for low-income families and children. This article chronicles the evolution of Medicaid and the State Children's Health Insurance Program (SCHIP), two public programs designed to provide free or low-cost health coverage to low-income children who do not have access to private health insurance. Such a historical overview is key to understanding where the progra…

  • Towards a Re‐Articulation of Cultural Identity

    Richard Garfield, Rachel Garfield•ARTICLE•Third Text•2006•Cited by: 1

    In this paper I will question the way artists who are exploring issues of Jewish identity make use of history and memory in their work. 1 I focus on three artists, representative of a wider trend i

  • Articulating a position through research

    Richard Garfield, Rachel Garfield•ARTICLE•Journal of Media Practice•2007

    This paper takes the form of a case study and aims to raise key issues in the process of a practice-led PhD. The subject of study in the PhD was to research the problematics of an art practice exploring Jewish identity in Britain. The methodology included the making of video installations and contextual theoretical writing that encompassed cultural studies, film theory, critical theory and art history. The paper gives detailed examples of my meth…

  • A Bifurcated History (And So It Goes On) by Lisa E Bloom

    Open Access•Richard Garfield, Rachel Garfield•ARTICLE•Art History•2007

  • Imagining Multicultural London

    Richard Garfield, Rachel Garfield•ARTICLE•European Judaism•2014

    Snatch (Guy Ritchie, 2000) is a comic-book gangster film that can be seen to represent the backlash against perceived notions of political correctness in what is effectively a public-schoolboy fantasy of working-class life in East London. However, the film also delineates the limits of this backlash in its depiction of minorities as either contained or excess. This is highlighted through the comic-book genre itself as well as the characterization…

  • Deflationary tactics with the archive of life

    Richard Garfield, Rachel Garfield•ARTICLE•Journal of Modern Jewish Studies•2016•References: 3

    This paper discusses art works by Suzanne Treister, Deborah Kass and Doug Fishbone. It considers the importance of their work for contemporary Jewish identity within the terms of wider conceptual questions that preoccupy contemporary art. These concerns are challenging the perceived structures of power, the “performance” of subjectivity and the questioning of authenticity. A deflationary aesthetic is central to the critique of these structures of…

  • The Stephen Dwoskin dossier

    Richard Garfield, Rachel Garfield•ARTICLE•Screen•2016

    This dossier aims to consider the contribution Stephen Dwoskin and his work made to the development of film and its infrastructure in the UK from 1964 when he arrived in the London until his death in 2012. Dwoskin not only straddled different contexts and ideologies about film but advocated for the support of work in a wide variety of forms. Because of this he was not easily categorizeable. Much of the work analyzing his camera work and his contr…

Art (8 works) · Sociology (5 works) · Aesthetics (4 works) · Law (4 works) · Political science (4 works) · History (3 works) · Jewish and Middle Eastern Studies (3 works) · Law (3 works) · Literature (3 works) · Philosophy (3 works)

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