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Anne McInnis

Biographic Data

ID6879445
NAMEAnne McInnis
GIVEN NAMESAnne
FAMILY NAMEMcInnis
SIGNATUREMCINNIS A
AFFILIATIONSUniversity of Georgia
ORCID0000-0002-7724-8501
VERIFIEDYes
TOTAL WORKS2
TOTAL CITATIONS1
AUTHOR COUNT2
EDITOR COUNT0
FIRST PUBLICATION YEAR2021
LATEST PUBLICATION YEAR2021
H-INDEX1
  • Sartorial Appearance Management Strategies of Creative Professional Women over Age 50 in the Fashion Industry

    Anne McInnis, Katalin Medvedev•ARTICLE•Fashion Practice•2021

    Women in the United States are often subjected to unrealistic standards of ideal appearance. These ideals are even more extreme in the fashion industry. Because professional women who hold creative positions in the fashion industry are in the business of creating style and beauty, there is a high level of expectation toward them to maintain their dress and appearance at a not explicitly stated, but anticipated, and often unrealistic standard. In …

  • Age, experience and creative labour

    Open Access•Anne McInnis, Katalin Medvedev•ARTICLE•International Journal of Fashion…•2021•Cited by: 1•References: 2

    This qualitative study introduces six creative fashion professionals, aged 55‐74, who started their careers in the 1980s. They have managed to overcome the complex challenges of employment and remain active in the highly competitive and youth-centric fashion industry of New York City. The participants represent key occupations that drive the behind-the-scenes creative force in the industry’s supply chain. While their long careers have equipped th…

  • Age, experience and creative labour

    Open Access•Anne McInnis, Katalin Medvedev•ARTICLE•International Journal of Fashion…•2021•Cited by: 1•References: 2

    This qualitative study introduces six creative fashion professionals, aged 55‐74, who started their careers in the 1980s. They have managed to overcome the complex challenges of employment and remain active in the highly competitive and youth-centric fashion industry of New York City. The participants represent key occupations that drive the behind-the-scenes creative force in the industry’s supply chain. While their long careers have equipped th…

  • Sartorial Appearance Management Strategies of Creative Professional Women over Age 50 in the Fashion Industry

    Anne McInnis, Katalin Medvedev•ARTICLE•Fashion Practice•2021

    Women in the United States are often subjected to unrealistic standards of ideal appearance. These ideals are even more extreme in the fashion industry. Because professional women who hold creative positions in the fashion industry are in the business of creating style and beauty, there is a high level of expectation toward them to maintain their dress and appearance at a not explicitly stated, but anticipated, and often unrealistic standard. In …

  • Age, experience and creative labour

    Open Access•Anne McInnis, Katalin Medvedev•ARTICLE•International Journal of Fashion…•2021•Cited by: 1•References: 2

    This qualitative study introduces six creative fashion professionals, aged 55‐74, who started their careers in the 1980s. They have managed to overcome the complex challenges of employment and remain active in the highly competitive and youth-centric fashion industry of New York City. The participants represent key occupations that drive the behind-the-scenes creative force in the industry’s supply chain. While their long careers have equipped th…

Cultural Industries and Urban Development (2 works) · Political science (2 works) · Psychology (2 works) · Sociology (2 works) · Advertising (1 work) · Aesthetics (1 work) · Art (1 work) · Beauty (1 work) · Business (1 work) · Clothing (1 work)

Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae