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Age, experience and creative labour

Narratives of creative professionals over age 55 in the New York fashion industry

Bibliographic Data

ID13015170
AuthorsAnne McInnis (0000-0002-7724-8501, University of Georgia, corresponding author), Katalin Medvedev (0000-0003-1814-8233, University of Georgia)
Year2021
Volume8
Issue2
Pages281-298
Publication date2021-10-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueInternational Journal of Fashion Studies (JOURNAL)
Journal identifiersISSN: 2051-7106 • E-ISSN: 2051-7114
PublisherIntellect (PUBLISHER • GB)
DOI10.1386/infs_00054_1
OpenAlexW3207258449
LanguageEN
Citations received1
References cited13

This qualitative study introduces six creative fashion professionals, aged 55‐74, who started their careers in the 1980s. They have managed to overcome the complex challenges of employment and remain active in the highly competitive and youth-centric fashion industry of New York City. The participants represent key occupations that drive the behind-the-scenes creative force in the industry’s supply chain. While their long careers have equipped them with expertise, multiple transferable hard and soft skills and extensive professional networks, they have become a rare age demographic in the industry. We investigate the importance of professional experience that comes with age in the current workforce by exploring the participants’ self-reflections and assessments about their careers as ageing workers. We determine how exogenous factors such as globalization, trade agreements, changes in technology, the effect of politics and recessions, global health crises and endogenous factors, such as changes in positions, additional training and work‐life balance, have influenced their careers. We highlight the benefits of intergenerational teams in which older workers are effectively able to transfer knowledge to and collaborate with younger co-workers and vice versa. Employing insights of the theory of experience, continuity theory, social exchange theory and generational theory, the study shows that intergenerational collaboration is critical to mastering creative processes in the fashion and textiles industry. Our research uncovers this demographic’s collective experience, tacit knowledge and resilience and proclaims their passion for their professions. It also illuminates the strategies the participants employed to remain professionally relevant as they adapted to the shifting landscape of the global fashion industry

Creativity · Economic growth · Economics · Globalization · Knowledge management · Political science · Psychological resilience · Public relations · Recession · Sociology · Tacit knowledge · Workforce · Cultural Industries and Urban Development · Labor market dynamics and wage inequality · Psychology · Retirement, Disability, and Employment · Social Psychology

  • Age, experience and creative labour

    Open Access•Anne McInnis, Katalin Medvedev•International Journal of Fashion…•2021

  • A Continuity Theory of Normal Aging

    Robert C Atchley•The Gerontologist•1989

  • From Holloway to Hollywood

    A Mcrobbie•Cultural Economy•2002

  • Sartorial Appearance Management Strategies of Creative Professional Women over Age 50 in the Fashion Industry

    Anne McInnis, Katalin Medvedev•Fashion Practice•2021

  • Passionate Work? Labour Conditions in the Milan Fashion Industry

    A Arvidsson, Giannino Malossi et al.•Journal for Cultural Research•2010

  • Age, experience and creative labour

    Open Access•Anne McInnis, Katalin Medvedev•International Journal of Fashion…•2021

  • Both/and

    Open Access•Barbara Probst, Mark Vicars•Qualitative Research Journal•2016

  • Soft skills assessment

    Stephen Gibbs, Stephen Gibb•International Journal of Lifelong…•2014

  • Continuity, change and possibility in older age

    Open Access•Peta S Cook•Journal of Sociology•2018

Unique citing works1
Citations per year0.2
Citation span2021 - 2021 (1)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 1

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