Surun-Khanda D Syrtypova
Biographic Data
| ID | 939154 |
|---|---|
| NAME | Surun-Khanda D Syrtypova |
| GIVEN NAMES | Surun-Khanda D |
| FAMILY NAME | Syrtypova |
| SIGNATURE | SYRTYPOVA S D |
| AFFILIATIONS | Institute of Oriental Studies |
| ORCID | 0000-0002-7239-4454 |
| VERIFIED | Yes |
| TOTAL WORKS | 10 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 10 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2020 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 0 |
К методологии применения генеративных моделей AI при переводе текстов Буддийского канона с тибетского языка на русский (на примере «Арья праджняпарамита сурьягарбха махаяна сутры». Перевод, введение, …
Zanabazar and Bodhisattva Avalokiteshvara in Mongolia
The Lineage of Spiritual Succession of the First Bogd Gegen of Mongolia Zanabazar (1634–1723) in His Secret Namtar and on the Thangka
The author compares the data of written and pictorial sources related to the most intimate aspect of the life and work of the great Buddhist master Jebzun Damba Khutukhta Undur Gegen Zanabazar. This is the text of his secret namtar, which in Mongolian is usually called “Prayer for the Links of Rebirth” (Mong.: töröl üye-yin jarbiral). The example of this xylograph is kept in the National Library of Mongolia. The basic source for its creation, obv…
Toward a Methodology for the Study of Buddhist Fine Art
The article provides a comparative analysis of different approaches to the study of Buddhist iconography and objects of religious art: scientific academic and traditional Buddhist. Their main goals and objectives, understanding of the fine art style in art history and the Buddhist tradition are considered. The possibility and necessity of using diverse sources of research, or rather, the complex and multidisciplinary principle of working with cul…
Bodhisattva Manjushri and Zanabazar (1635–1723)
A series of articles on various aspects of the work by the great Buddhist master Gombodorjiin Zanabazar (1635–1723), allows the reconstruction of the image of the wisdom deity Manjushri. In the Buddhist pantheon Manjushri belongs to the rank of bodhisattvas, the enlightened beings who have set themselves the highest altruistic goal — to help all living beings until they all achieve Buddhahood. The acquisition of knowledge and wisdom is considered…
Buddhist Studies in Russia
Almost two hundred years ago Buddhist studies were began by Russian missionaries (Iakinf Bichurin (1777–1853), Palladiy Kafarov (1817–1868) and academic scientists (J.I. Schmidt (1779–1847), V.P. Vasiliev (1818–1900), I.P. Minaev (1840–1890). At the beginning of the 20th century, in the Silver Age of Russian culture, the intellectual elite was so embraced by Buddhist ideas and charmed by East that it’s able to convince the government to build a B…
Maitreya and Zanabazar in Mongolia
An article is made in a series about the artistic activity by a brilliant sculptor and extraordinary thinker G. Zanabazar (1635–1723), whose criation predetermined the development of Buddhism and the entire course of events in Mongolia. The cult practice of Maitreya as one of the heroes of the bodhisattvas and as the Buddha of the Future among the Mongolian peoples arose under the decisive necessity of the first rituals performed under the influe…
Buddha Amitayus and the artistic heritage of Zanabazar (1635-1723)
Images of Buddha Amitayus are recognizable by the main attribute -a vessel with the elixir of immortality placed in his palms, which rest upon his knees. The images of various versions are very often found in the Tibeto-Mongolian Buddhist regions. This is explained by the wide popularity of his cult. The Amitayus cult is one of the tantric ways to protect the life and health of the believer. Rituals aim to extend the time of life on purpose to co…
Interpretation of the image of the Goddess Tara by Zanabazar compared to that by his predecesors and followers (from Sri Lanka to Siberia)
In continuation of the study of the art heritage of Zanabazar (1635–1723), we have traced the connection between the textual and art systems of the Buddhist cult ofTaragoddess. This goddess was of particular importance for the master Zanabazar. In his turn, Zanabazar was recognized as the incarnation of the great Tibetan scholar Jetsun Taranatha (1575–1634), whose name means “Protected byTara”. Undur-Gegen Zanabazar had deep spiritual relationshi…
Buddha Akshobhya in Mongolia
This is another article in the series of researches published by the present author, which deal with the iconography and the meaning of Buddhist deities of Vajrayana in particular in Mongolian Buddhism. Buddha Akshobhya is a one of the Tathagata Buddhas, the forefathers of Five Buddha families or Five Dhyani Buddhas. The article deals with the development stages of the Akshobhya cult, some specific features of its practice among Mongolian Buddhis…
No prominent works on this page.
Interpretation of the image of the Goddess Tara by Zanabazar compared to that by his predecesors and followers (from Sri Lanka to Siberia)
In continuation of the study of the art heritage of Zanabazar (1635–1723), we have traced the connection between the textual and art systems of the Buddhist cult ofTaragoddess. This goddess was of particular importance for the master Zanabazar. In his turn, Zanabazar was recognized as the incarnation of the great Tibetan scholar Jetsun Taranatha (1575–1634), whose name means “Protected byTara”. Undur-Gegen Zanabazar had deep spiritual relationshi…
Buddha Akshobhya in Mongolia
This is another article in the series of researches published by the present author, which deal with the iconography and the meaning of Buddhist deities of Vajrayana in particular in Mongolian Buddhism. Buddha Akshobhya is a one of the Tathagata Buddhas, the forefathers of Five Buddha families or Five Dhyani Buddhas. The article deals with the development stages of the Akshobhya cult, some specific features of its practice among Mongolian Buddhis…
Maitreya and Zanabazar in Mongolia
An article is made in a series about the artistic activity by a brilliant sculptor and extraordinary thinker G. Zanabazar (1635–1723), whose criation predetermined the development of Buddhism and the entire course of events in Mongolia. The cult practice of Maitreya as one of the heroes of the bodhisattvas and as the Buddha of the Future among the Mongolian peoples arose under the decisive necessity of the first rituals performed under the influe…
Buddha Amitayus and the artistic heritage of Zanabazar (1635-1723)
Images of Buddha Amitayus are recognizable by the main attribute -a vessel with the elixir of immortality placed in his palms, which rest upon his knees. The images of various versions are very often found in the Tibeto-Mongolian Buddhist regions. This is explained by the wide popularity of his cult. The Amitayus cult is one of the tantric ways to protect the life and health of the believer. Rituals aim to extend the time of life on purpose to co…
The Lineage of Spiritual Succession of the First Bogd Gegen of Mongolia Zanabazar (1634–1723) in His Secret Namtar and on the Thangka
The author compares the data of written and pictorial sources related to the most intimate aspect of the life and work of the great Buddhist master Jebzun Damba Khutukhta Undur Gegen Zanabazar. This is the text of his secret namtar, which in Mongolian is usually called “Prayer for the Links of Rebirth” (Mong.: töröl üye-yin jarbiral). The example of this xylograph is kept in the National Library of Mongolia. The basic source for its creation, obv…
Toward a Methodology for the Study of Buddhist Fine Art
The article provides a comparative analysis of different approaches to the study of Buddhist iconography and objects of religious art: scientific academic and traditional Buddhist. Their main goals and objectives, understanding of the fine art style in art history and the Buddhist tradition are considered. The possibility and necessity of using diverse sources of research, or rather, the complex and multidisciplinary principle of working with cul…
Bodhisattva Manjushri and Zanabazar (1635–1723)
A series of articles on various aspects of the work by the great Buddhist master Gombodorjiin Zanabazar (1635–1723), allows the reconstruction of the image of the wisdom deity Manjushri. In the Buddhist pantheon Manjushri belongs to the rank of bodhisattvas, the enlightened beings who have set themselves the highest altruistic goal — to help all living beings until they all achieve Buddhahood. The acquisition of knowledge and wisdom is considered…
Buddhist Studies in Russia
Almost two hundred years ago Buddhist studies were began by Russian missionaries (Iakinf Bichurin (1777–1853), Palladiy Kafarov (1817–1868) and academic scientists (J.I. Schmidt (1779–1847), V.P. Vasiliev (1818–1900), I.P. Minaev (1840–1890). At the beginning of the 20th century, in the Silver Age of Russian culture, the intellectual elite was so embraced by Buddhist ideas and charmed by East that it’s able to convince the government to build a B…
Zanabazar and Bodhisattva Avalokiteshvara in Mongolia
К методологии применения генеративных моделей AI при переводе текстов Буддийского канона с тибетского языка на русский (на примере «Арья праджняпарамита сурьягарбха махаяна сутры». Перевод, введение, …
Buddhism (9 works) · Eurasian Exchange Networks (9 works) · History (8 works) · Archaeology (7 works) · Art (7 works) · Philosophy (7 works) · Ancient history (6 works) · Gautama Buddha (6 works) · Art history (5 works) · Cult (5 works)