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Buddha Akshobhya in Mongolia

Bibliographic Data

ID11827323
AuthorsSurun-Khanda D Syrtypova (0000-0002-7239-4454, Institute of Oriental Studies, corresponding author)
Year2020
Volume2
Issue4
Pages817-837
Publication date2020-01-16
Open AccessYes
TypeARTICLE
VenueOrientalistica (JOURNAL)
Journal identifiersISSN: 2618-7043 • E-ISSN: 2687-0738
PublisherInstitute of Oriental Studies of the Russian Academy of Sciences (PUBLISHER • RU)
DOI10.31696/2618-7043-2019-2-4-817-837
OpenAlexW2998766077
LanguageEN
Citations received2
References cited1

This is another article in the series of researches published by the present author, which deal with the iconography and the meaning of Buddhist deities of Vajrayana in particular in Mongolian Buddhism. Buddha Akshobhya is a one of the Tathagata Buddhas, the forefathers of Five Buddha families or Five Dhyani Buddhas. The article deals with the development stages of the Akshobhya cult, some specific features of its practice among Mongolian Buddhists and the visual representations by the famous master Ondor Gegen Zanabazar (1635–1723). The author publishes here images of various sculptures of Akshobhya from the collections of temples, museums, as well as private collections in Mongolia

Ancient history · Archaeology · Art · Buddhism · Cult · Epistemology · Gautama Buddha · Iconography · Literature · Meaning (existential · Sculpture · Visual arts · Eurasian Exchange Networks · History · Linguistics and Cultural Studies · Philosophy · Turkish Literature and Culture

  • Toward a Methodology for the Study of Buddhist Fine Art

    Open Access•Surun-Khanda D Syrtypova•Orientalistica•2023

  • Interpretation of the image of the Goddess Tara by Zanabazar compared to that by his predecesors and followers (from Sri Lanka to Siberia)

    Open Access•Surun-Khanda D Syrtypova•Orientalistica•2020

Citations per year0.33
Citation span2020 - 2023 (4)
Highly citedNo

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