Bruno Braunrot
Biographic Data
| ID | 958698 |
|---|---|
| NAME | Bruno Braunrot |
| GIVEN NAMES | Bruno |
| FAMILY NAME | Braunrot |
| SIGNATURE | BRAUNROT B |
| AFFILIATIONS | Georgia State University |
| VERIFIED | No |
| TOTAL WORKS | 9 |
| TOTAL CITATIONS | 3 |
| AUTHOR COUNT | 8 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1973 |
| LATEST PUBLICATION YEAR | 2000 |
| H-INDEX | 1 |
Enter Rabelais, Laughing
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Une Poétique de crise: Poètes baroques et mystiques (1570-1660)
Michèle Clément. Une Poétique de crise: Poètes baroques et mystiques (1570-1660). Paris: Honoré Champion, 1996. (Bibliothèque Littéraire de la Renaissance; Series 3, 34.) 434 pp. FF 440. ISBN: n.a. - Volume 51 Issue 4
Gargantua
François Rabelais. Gargantua. Edition critique sur le texte de l'édition dite définitive, publiée en 1542 à Lyon par François Juste. Ed. and intro. Floyd Gray. (Textes de la Renaissance, 2.) Paris: Honoré Champion, 1995. 317 pp. FF 150. - Volume 51 Issue 1
Les encyclopédistes et le Paris du dix-huitième siècle
Frank A. Kafker: The Encyclopedists and 18th-century Paris. The autor undertakes a study of the numbers of encyclopedists living in Paris and attempts to draw general conclusions. Although most of the collaborators on the Encyclopédie were not born in Paris, the majority of them were attracted to the capital. Many however left Paris during the Revolution, as the town seemed dangerous to them, and they tended to look back with nostalgia on the Anc…
Reflections on Literature in Contemporary France
A FEW WORDS, at the outset, to clarify my topic. Reflections on literature rather than or criticism: for I would like to limit myself to the conception of literature, its implications and consequences, as they emerge from the writings of a few authors. In so doing, I leave aside two other types of discourse equally related to literature. On the one hand, that of the critic, for I do not intend to present a survey of the critical studies published…
Theoretical Foundations of Historical Poetics
The Meaning of Literary History
S THE historian's activity entirely retrospective? It is true that the object of his preoccupation indubitably belongs to the past. But his project is rooted in the here-and-now: in his personal life, the historian precedes the history he will write. If he turns to already existing documents and works, it is with the intention of creating a new work which tomorrow will itself become a document. Moreover, this project, especially if it pertains to…
On the Fundamental Gestures of Criticism
entiation when works coexist not only with a public which receives them, but with qualified representatives of this public, who are the first to express what others feel less clearly. It is then that we witness the emergence of specifically critical texts, forming a class of their own, constituting a distinct genre (and demanding in turn the specialized attention of the historian). But this division of labor, this clear-cut distinction between cr…
The Notion of Literature
The Notion of Literature
On the Fundamental Gestures of Criticism
entiation when works coexist not only with a public which receives them, but with qualified representatives of this public, who are the first to express what others feel less clearly. It is then that we witness the emergence of specifically critical texts, forming a class of their own, constituting a distinct genre (and demanding in turn the specialized attention of the historian). But this division of labor, this clear-cut distinction between cr…
The Meaning of Literary History
S THE historian's activity entirely retrospective? It is true that the object of his preoccupation indubitably belongs to the past. But his project is rooted in the here-and-now: in his personal life, the historian precedes the history he will write. If he turns to already existing documents and works, it is with the intention of creating a new work which tomorrow will itself become a document. Moreover, this project, especially if it pertains to…
Theoretical Foundations of Historical Poetics
Reflections on Literature in Contemporary France
A FEW WORDS, at the outset, to clarify my topic. Reflections on literature rather than or criticism: for I would like to limit myself to the conception of literature, its implications and consequences, as they emerge from the writings of a few authors. In so doing, I leave aside two other types of discourse equally related to literature. On the one hand, that of the critic, for I do not intend to present a survey of the critical studies published…
Les encyclopédistes et le Paris du dix-huitième siècle
Frank A. Kafker: The Encyclopedists and 18th-century Paris. The autor undertakes a study of the numbers of encyclopedists living in Paris and attempts to draw general conclusions. Although most of the collaborators on the Encyclopédie were not born in Paris, the majority of them were attracted to the capital. Many however left Paris during the Revolution, as the town seemed dangerous to them, and they tended to look back with nostalgia on the Anc…
Une Poétique de crise: Poètes baroques et mystiques (1570-1660)
Michèle Clément. Une Poétique de crise: Poètes baroques et mystiques (1570-1660). Paris: Honoré Champion, 1996. (Bibliothèque Littéraire de la Renaissance; Series 3, 34.) 434 pp. FF 440. ISBN: n.a. - Volume 51 Issue 4
Gargantua
François Rabelais. Gargantua. Edition critique sur le texte de l'édition dite définitive, publiée en 1542 à Lyon par François Juste. Ed. and intro. Floyd Gray. (Textes de la Renaissance, 2.) Paris: Honoré Champion, 1995. 317 pp. FF 150. - Volume 51 Issue 1
Enter Rabelais, Laughing
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
Art (8 works) · History (5 works) · Epistemology (4 works) · Historical and Literary Analyses (4 works) · Literature (4 works) · Philosophy (4 works) · Renaissance Literature and Culture (3 works) · Sociology (3 works) · Archaeology (2 works) · Art history (2 works)