The Garland Encyclopedia of World Music
Bibliographic Data
| ID | 10746235 |
|---|---|
| Authors | Stephen D Press, James I Porter, Chris Goertzen |
| Year | 2001 |
| Volume | 45 |
| Issue | 1 |
| Pages | 151 |
| Publication date | 2001-01-01 |
| Open Access | No |
| Type | REVIEW |
| Review of | The Garland encyclopedia of world music, Bruno Nettl, 1998 |
| Venue | The Slavic and East European Journal (JOURNAL) |
| Journal identifiers | ISSN: 0037-6752 • E-ISSN: 2325-7687 |
| Publisher | JSTOR (PUBLISHER) |
| DOI | 10.2307/3086435 |
| OpenAlex | W4298037397 |
| Language | EN |
The (Mis)Representation of African American Music
Folk Media for Biodiversity Conservation
The Making of a Musical Canon in Chinese Central Asia
Wine, love or divine love? Analysing three short traditional Algerian Sha'bî Songs
Patterns of modernization in Turkish music as indicators of a changing society
Rhythmic Patterns Reflecting Cognitive Constraints and Aesthetic Ideals
Octave-generalized analysis of chord progressions
Plucked Strings and Expanded Horizons
Ethnomusicology of the Individual
Bali Healing Ritual in Sri Lanka from a Medical Ethnomusicology Perspective
Divergences and convergences across European musical preferences
Singing Muqam in Uyghur Pop
Music Version” versus “Vocals-Only”
The musical journey - re-centring AfroAsia through an arc of musical sorrow
Reconsidering Musicology in the Baltic States of Lithuania, Latvia, and Estonia
Belly Dance
How Does Music mean? Embodied Memories and the Politics of Affect in the Indian Sarangi
Occupation and Ethnicity
Understanding Iran Through Music
"The Dual Career of "Arirang
Iran's Regional Musical Traditions in the Twentieth Century
Thoughts on an Interdiscipline
An Audience of One
Consilience Revisited
Making Reliable Persons
Theorizing the local
Music in Motion
Le chant des serpents
A Staged Fright
Music education in China
Chapter 11 Modes of Theorizing in Iranian Khorasan
Chapter 7 Music in Urban Space
The Social Life of Musical Instruments
From Grinder to Nipper
Japanese Spirituality and Music Practice
| Highly cited | No |
|---|