Colonial Rupture and Native Continuity in Indigenous Cultural Representations
Through Hawaiian Ancient Dance Kahiko
Bibliographic Data
| ID | 11223448 |
|---|---|
| Authors | Mai Misaki (0000-0001-7053-8234, corresponding author) |
| Year | 2021 |
| Volume | 53 |
| Issue | 1 |
| Pages | 44-60 |
| Publication date | 2021-04-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Dance Research Journal (JOURNAL) |
| Journal identifiers | ISSN: 0149-7677 • E-ISSN: 1940-509X |
| Publisher | Cambridge University Press (CUP) (PUBLISHER) |
| DOI | 10.1017/s0149767721000024 |
| OpenAlex | W3169015331 |
| Language | EN |
| Citations received | 1 |
| References cited | 33 |
This article discusses the role of colonial oppression in creating conflicting perspectives in the reproduction of dance as Indigenous cultural heritage. The debate on kahiko, the ancient Hawaiian dance, of which practice was severely controlled and then revived through the cultural renaissance, demonstrates that the radical deprivation of the practice has created multiple understandings of the dance among different practitioners. Of primary importance in these respects is the intergenerational divide within the dance community, manifest in the critical perspective of the post-renaissance variant of kahiko, which highlights the “continuity” of the practice through the colonial rupture
Aesthetics · Archaeology · Art · Art history · Colonialism · Concert dance · Dance · Indigenous · Oppression · Political science · Politics · Sociology · The Renaissance · Visual arts · Anthropological Studies and Insights · Anthropology · Asian American and Pacific Histories · Diversity and Impact of Dance · Gender Studies · History · Law
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| Unique citing works | 1 |
|---|---|
| Citations per year | 0,33 |
| Citation span | 2023 - 2023 (1) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 1 |