Examining the Effects of Experimental/Academic Electroacoustic and Popular Electronic Musics on the Evolution and Development of Human–Computer Interaction in Music
Bibliographic Data
| ID | 12099652 |
|---|---|
| Authors | George Meikle (0000-0002-7282-8582, corresponding author) |
| Year | 2016 |
| Volume | 35 |
| Issue | 2 |
| Pages | 224-241 |
| Publication date | 2016-03-03 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Contemporary Music Review (JOURNAL) |
| Journal identifiers | ISSN: 0749-4467 • E-ISSN: 1477-2256 |
| Publisher | Taylor & Francis (PUBLISHER • GB) |
| DOI | 10.1080/07494467.2016.1221634 |
| OpenAlex | W2520524283 |
| Language | EN |
| References cited | 6 |
This article focuses on how the development of human–computer interaction in music has been aided and influenced by both experimental/academic electroacoustic art music and popular electronic music. These two genres have impacted upon this ever-changing process of evolution in different ways, but have together been paramount to the establishment of interactivity in music as we understand it today; which is itself having wide-ranging implications upon the modern-day musical landscape as a whole—both in the way that we, as listeners and audience members, purchase and consume music as well as conceptualise and think about it
Contemporary classical music · Electroacoustic music · Electronic music · Interactivity · Musical Development · Pop music automation · Programming · Music and Audio Processing · Music Technology and Sound Studies · Neuroscience and Music Perception
| Highly cited | No |
|---|