Interfacing the Brain Directly with Musical Systems
On Developing Systems for Making Music with Brain Signals
Bibliographic Data
| ID | 3420096 |
|---|---|
| Authors | Eduardo Reck Miranda (0000-0002-8306-9585, University of Plymouth), Andrew Brouse (University of Plymouth) |
| Year | 2005 |
| Volume | 38 |
| Issue | 4 |
| Pages | 331-336 |
| Publication date | 2005-08-01 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Leonardo (JOURNAL) |
| Journal identifiers | ISSN: 0024-094X • E-ISSN: 1530-9282 |
| Publisher | MIT Press - Journals (PUBLISHER) |
| DOI | 10.1162/0024094054762133 |
| OpenAlex | W2109450332 |
| Language | EN |
| Citations received | 6 |
| References cited | 3 |
The authors discuss their work on developing technology to interface the brain directly with music systems, a field of research generally known as Brain-Computer Interfacing (BCI). The paper gives a brief background of BCI in general and surveys various attempts at musical BCI, or Brain-Computer Music Interface (BCMI) - systems designed to make music from brain signals, or brainwaves. The authors present a technical introduction to the electroencephalogram (EEG), which measures brainwaves detected by electrodes placed directly on the scalp. They introduce approaches to the design of BCI and BCMI systems and present two case study systems of their own design: the BCMI-Piano and the Inter-Harmonium
Art · Brain–computer interface · Cognitive science · Computer hardware · Computer music · Electroencephalography · Human–computer interaction · Interface (matter) · Interfacing · Musical · Piano · Visual arts · Computer Science · EEG and Brain-Computer Interfaces · Neural dynamics and brain function · Neuroscience · Neuroscience and Neural Engineering · Psychology
Effects of electroencephalography-based art therapy on emotion regulation difficulties, psychological well-being, relaxation and attention levels among college students
Composing the Actual
Examining the Effects of Experimental/Academic Electroacoustic and Popular Electronic Musics on the Evolution and Development of Human–Computer Interaction in Music
Inner Rhythms
Music Neurotechnology for Sound Synthesis
Interacting with Digital Music
| Citations per year | 0.32 |
|---|---|
| Citation span | 2007 - 2025 (19) |
| Highly cited | No |