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Making meaning in AVT

Eye tracking and viewer construction of narrative

Bibliographic Data

ID12183337
AuthorsJan-Louis Kruger (0000-0002-4817-5390, North-West University, corresponding author)
Year2012
Volume20
Issue1
Pages67-86
Publication date2012-03-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenuePerspectives (JOURNAL)
Journal identifiersISSN: 0907-676X • E-ISSN: 1747-6623
PublisherTaylor & Francis (PUBLISHER • GB)
DOI10.1080/0907676x.2011.632688
OpenAlexW2074023060
LanguageEN
Citations received16
References cited13

The reception of film with a view to audiovisual translation (AVT) is a field that has been receiving more attention in the last few years. This shows a move away from product-oriented research. Nevertheless, methodologies for using eye tracking in this regard have not been established. This article presents an attempt to correlate eye-tracking data, collected from participants viewing Wallace Chafe's 1975 Pear Film, with viewer constructions of the narrative. As such, the article provides a different angle to the extensive Pear Tree Project. The findings of the experiment would seem to suggest that visually peripheral elements that play a covert, top-down role in the narrative (i.e. with a higher degree of narrative salience) gain particular narrative importance when competing with the more overt, bottom-up aspects of the narrative (with an equally high narrative salience, as well as a high visual salience)

Aesthetics · Art · Cognitive psychology · Computer vision · Covert · Eye tracking · Gaze · Linguistics · Meaning (existential · Narrative · Narrative criticism · Narrative inquiry · Psychoanalysis · Salience (neuroscience · Computer Science · Psychology · Subtitles and Audiovisual Media · Video Analysis and Summarization · Visual Attention and Saliency Detection

  • The heartbeat of multimodal creativity

    Open Access•A Munoz•Cadernos de Tradução•2025

  • Audio description and reception-centred research

    Elena Di Giovanni•Reception Studies and Audiovisual…•2018

  • Triangulation of online and offline measures of processing and reception in AVT

    Jan-Louis Kruger, Stephen Doherty•Reception Studies and Audiovisual…•2018

  • Student Voice in Personal Tutoring

    Open Access•A Raby•Frontiers in Education•2020

  • Eye tracking research on readers’ interactions with multimodal texts

    Open Access•Al Ryanne Gabonada Gatcho, Jeremiah Paul Giron Manuel et al.•Frontiers in Communication•2024

  • Physiological instruments meet mixed methods in Media Accessibility

    Open Access•Irene Hermosa-Ramírez•Translation Spaces•2022

  • The expanding role of text on screen

    Kacper Kupisz, Mikołaj Deckert•Journal of Adaptation in Film &…•2022

  • Retelling narrative in 360° videos

    Anita Fidyka, Anna Matamala•Translation Studies•2021

  • Audio description in translation studies

    Open Access•Jackie Xiu Yan, Shuting Wang et al.•Perspectives•2026

  • Audio describing Ocean’s Eleven scene 12 out of context

    Louise Fryer•Perspectives•2020

  • Putting the audience in the picture

    Nicole Wilken, Jan-Louis Kruger•Across Languages and Cultures•2016

  • What meets the eye. Cognitive narratology for audio description

    Jeroen Vandaele•Perspectives•2012

  • Visual and narrative priorities of the blind and non-blind

    Elena Di Giovanni•Perspectives•2013

  • The reception of Persian dubbing

    Saeed Ameri, M Khoshsaligheh et al.•Perspectives•2017

  • Museum audio description

    Rachel Hutchinson, Rachel S Hutchinson et al.•Perspectives•2018

  • Subtitles in virtual reality

    Open Access•Belén Agulló, Anna Matamala•Íkala Revista de Lenguaje y Cultura•2020

  • Interpreting Films

    Janet Staiger•Interpreting Films•1992

  • Audio narration

    Jan-Louis Kruger•Perspectives•2010

Unique citing works16
Citations per year1.14
Citation span2012 - 2026 (15)
Citation velocitycurrent
Highly citedNo
Citation typesNeutral: 15

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