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Audio description and reception-centred research

Bibliographic Data

ID23675085
AuthorsElena Di Giovanni (0000-0002-5823-0082, University of Macerata, corresponding author)
Year2018
Pages225-250
Publication date2018-06-15
Open AccessNo
TypeCHAPTER
VenueReception Studies and Audiovisual Translation (SOURCE_BOOK)
PublisherJohn Benjamins Publishing Company (PUBLISHER • NL)
DOI10.1075/btl.141.12gio
OpenAlexW2805216740
ISBN9789027200938
LanguageEN
Citations received6
References cited24

This chapter focuses on audio description research from a reception studies perspective. Since its inception into audiovisual translation studies slightly over ten years ago, research on audio description has grown exponentially and, unlike other audiovisual translation techniques and the related research, it has very often placed the needs, priorities and preferences of the end users at its core. After reviewing the tools and methodologies so far employed in reception-centred audio description research, by highlighting their shortcomings and merits, the chapter moves on to identify four major strands in this area. Several experiments and publications are then discussed with reference to each research strand, focusing on their replicability but also reflecting on the role (and dangers) of interdisciplinarity in such an ever-growing field of study.

Engineering ethics · Field (mathematics) · Linguistics · Multimedia · Perspective (graphical) · Translation studies · Artificial Intelligence · Computer Science · Engineering · Mathematics · Subtitles and Audiovisual Media

  • Contra la mediatez, consigna de un grupo focal sobre audiodescripción

    Open Access•Miquel Edo Julià, Miquel Edo et al.•Andamios•2024

  • Watching Dubbed Television

    Open Access•Elia Margarita Cornelio-Marí•Television & New Media•2021

  • A pilot study on the availability and reception of audio description in the Chinese mainland

    Open Access•Hui Yang, Weiju Shen et al.•Frontiers in Communication•2023

  • Evaluating audio description and emotional engagement for BPS visitors in a museum context

    Open Access•Xi Wang, Danny Crookes et al.•Translation Spaces•2022

  • A homogenous or heterogeneous audience? Audio description preferences of persons with congenital blindness, non-congenital blindness and low vision

    Agnieszka Chmiel, Iwona Mazur•Perspectives•2021

  • Experimental audio description as a means of enhancing the cinematic experience of sighted viewers

    Iwona Mazur, Julia Kaźmierczak et al.•Perspectives•2026

  • Putting the audience in the picture

    Nicole Wilken, Jan-Louis Kruger•Across Languages and Cultures•2016

  • Audio description

    Péter Zolczer•Across Languages and Cultures•2015

  • Visual and narrative priorities of the blind and non-blind

    Elena Di Giovanni•Perspectives•2013

  • Towards common European audio description guidelines

    Iwona Mazur, Agnieszka Chmiel•Perspectives•2012

  • Making meaning in AVT

    Jan-Louis Kruger•Perspectives•2012

  • How sound is the Pear Tree Story? Testing the effect of varying audio stimuli on visual attention distribution

    Anna Vilaró, Andrew T Duchowski et al.•Perspectives•2012

  • Audio description as audio drama – a practitioner's point of view

    Louise Fryer•Perspectives•2010

  • Emotion elicitation using films

    James J Gro, Robert W Levenson•Cognition & Emotion•1995

Citations per year1.2
Citation span2021 - 2026 (6)
Highly citedNo

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