Audio description and reception-centred research
Bibliographic Data
| ID | 23675085 |
|---|---|
| Authors | Elena Di Giovanni (0000-0002-5823-0082, University of Macerata, corresponding author) |
| Year | 2018 |
| Pages | 225-250 |
| Publication date | 2018-06-15 |
| Open Access | No |
| Type | CHAPTER |
| Venue | Reception Studies and Audiovisual Translation (SOURCE_BOOK) |
| Publisher | John Benjamins Publishing Company (PUBLISHER • NL) |
| DOI | 10.1075/btl.141.12gio |
| OpenAlex | W2805216740 |
| ISBN | 9789027200938 |
| Language | EN |
| Citations received | 6 |
| References cited | 24 |
This chapter focuses on audio description research from a reception studies perspective. Since its inception into audiovisual translation studies slightly over ten years ago, research on audio description has grown exponentially and, unlike other audiovisual translation techniques and the related research, it has very often placed the needs, priorities and preferences of the end users at its core. After reviewing the tools and methodologies so far employed in reception-centred audio description research, by highlighting their shortcomings and merits, the chapter moves on to identify four major strands in this area. Several experiments and publications are then discussed with reference to each research strand, focusing on their replicability but also reflecting on the role (and dangers) of interdisciplinarity in such an ever-growing field of study.
Engineering ethics · Field (mathematics) · Linguistics · Multimedia · Perspective (graphical) · Translation studies · Artificial Intelligence · Computer Science · Engineering · Mathematics · Subtitles and Audiovisual Media
Contra la mediatez, consigna de un grupo focal sobre audiodescripción
Watching Dubbed Television
A pilot study on the availability and reception of audio description in the Chinese mainland
Evaluating audio description and emotional engagement for BPS visitors in a museum context
A homogenous or heterogeneous audience? Audio description preferences of persons with congenital blindness, non-congenital blindness and low vision
Experimental audio description as a means of enhancing the cinematic experience of sighted viewers
Putting the audience in the picture
Audio description
Visual and narrative priorities of the blind and non-blind
Towards common European audio description guidelines
Making meaning in AVT
How sound is the Pear Tree Story? Testing the effect of varying audio stimuli on visual attention distribution
Audio description as audio drama – a practitioner's point of view
Emotion elicitation using films
| Citations per year | 1.2 |
|---|---|
| Citation span | 2021 - 2026 (6) |
| Highly cited | No |