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Arugula, pine nuts, and hegemony

Seven women’s choreopoetic reflection on the absence of cultural relevance in educational discourse

Bibliographic Data

ID12213620
AuthorsLisa William-White (corresponding author), Aneela Sagir, Nancy Flores (0009-0004-6917-9034), Gretchen Jung, Angela Ramirez, Jennifer Osalbo, Hong-An Doan
Year2012
Volume25
Issue2
Pages135-149
Publication date2012-03-01
Open AccessNo
TypeARTICLE
VenueInternational Journal of Qualitative Studies in Education (JOURNAL)
Journal identifiersISSN: 0951-8398 • E-ISSN: 1366-5898
PublisherTaylor & Francis (PUBLISHER • GB)
DOI10.1080/09518398.2011.649697
OpenAlexW2007292326
LanguageEN
Citations received2
References cited1

Choreopoetic narrative storytelling is presented here, where discourse centered on the intersections of race, class, identity, and critical consciousness is performed in a multi-perspectival interpretation of the hegemonic discourses dominating the educational domain as a result of No Child Left Behind. This interpretative and reflective piece focuses on classism, pedagogy, and policy, and highlights reactions from the authors’ experiences when they attended an academic conference focused on “instructional innovation.” Absent from the conference was a critical examination of the testing and accountability regime that dictates pedagogy and educational policy, particularly as it relates to the dispossessed – the poor and cultural, linguistic, and ethnic minorities in K-16 schools. This piece illustrates the power of choreopoetic storytelling as both an artistic and political esthetic for shaping critical consciousness in educational discourse

Accountability · Aesthetics · Consciousness · Critical consciousness · Critical pedagogy · Epistemology · Ethnic group · Hegemony · Identity (music · Interpretation (philosophy · Linguistics · Narrative · Pedagogy · Political science · Politics · Power (physics · Relevance (law · Sociology · Storytelling · Anthropology · Art Education and Development · Diverse Music Education Insights · Gender Studies · Theatre and Performance Studies

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Citations per year0.15
Citation span2013 - 2024 (12)
Highly citedNo

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