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Performing rodeo queen culture

Competition, athleticism and excessive feminine masquerade

Bibliographic Data

ID12370052
AuthorsVickie Rutledge Shields (Bowling Green State University, corresponding author), Colleen Coughlin (Bowling Green State University)
Year2000
Volume20
Issue2
Pages182-202
Publication date2000-04-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueText and Performance Quarterly (JOURNAL)
Journal identifiersISSN: 1046-2937 • E-ISSN: 1479-5760
PublisherTaylor & Francis (PUBLISHER • GB)
DOI10.1080/10462930009366293
OpenAlexW2134773413
LanguageEN
Citations received4
References cited7

Within the culture of rodeo, women occupy contested and often contradictory positions. Rodeo queens participate in excessive feminine masquerade not easily or exclusively defined by traditional, patriarchal codes. In performance, the rodeo queen's body is an active athletic one and, although she is positioned in the rodeo as a spectacle, to‐be‐looked‐at, the athleticism of her performance denies complete objectification. This study argues that rodeo queens practice a clandestine feminism, rarely subverting the patriarchal structure of rodeo in overt ways, but finding personal empowerment and agency through the performance of "competing." Key words: masqueradeperformativityPRCArodeo queensubculture

Art · Competition (biology · Queen (butterfly · Zoology · Media, Gender, and Advertising · Sport and Mega-Event Impacts · Sports, Gender, and Society · Ecology

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Unique citing works4
Citations per year0,22
Citation span2008 - 2021 (14)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 4

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