The relevance of watery soundscapes in a ritual context
Bibliographic Data
| ID | 12911713 |
|---|---|
| Authors | Sara Garcês (0000-0003-0822-5012, University of Trás-os-Montes and Alto Douro), George Nash (University of Bristol, corresponding author) |
| Year | 2017 |
| Volume | 10 |
| Issue | 1 |
| Pages | 69-80 |
| Publication date | 2017-01-02 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Time and Mind (JOURNAL) |
| Journal identifiers | ISSN: 1751-696X • E-ISSN: 1751-6978 |
| Publisher | Taylor & Francis (PUBLISHER • GB) |
| DOI | 10.1080/1751696x.2016.1267917 |
| OpenAlex | W2579501507 |
| Language | EN |
| Citations received | 2 |
| References cited | 5 |
It is becoming increasing clear that the visual archaeological record, as witnessed through those elements of the site that remain visible (in the case of Neolithic chambered monuments, the surviving stone architecture) is just one sensory element. For this short paper, and pertinent to this journal issue, we will focus our attentions on what Scandinavian archaeologist Joakim Goldhaln refers to as non-visual experiences and perceptions, in particular, audibility. This concept includes the various soundscapes and their significance within both the tangible and intangible archaeological record. Particular attention will be paid to the association between monuments and their watery environment
Aesthetics · Archaeological record · Archaeology · Art · Context (archaeology · Focus (optics · Political science · Relevance (law · Sound (geography · Soundscape · Visual arts · Archaeology and ancient environmental studies · Archaeology and Rock Art Studies · Building materials and conservation · History · Law · Architecture · Geology
| Unique citing works | 2 |
|---|---|
| Citations per year | 0,5 |
| Citation span | 2022 - 2026 (5) |
| Citation velocity | current |
| Highly cited | No |
| Citation types | Neutral: 2 |