The smartphone aesthetics of mobility in Kate Evans’s Threads and Reinhard Kleist’s An Olympic Dream
Bibliographic Data
| ID | 13002604 |
|---|---|
| Authors | Elizabeth “biz” Nijdam (0000-0001-5683-1602, University of British Columbia, corresponding author) |
| Year | 2021 |
| Volume | 12 |
| Issue | 2 |
| Pages | 513-534 |
| Publication date | 2021-10-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Crossings Journal of Migration and Culture (JOURNAL) |
| Journal identifiers | ISSN: 2040-4344 • E-ISSN: 2040-4352 |
| Publisher | Intellect (PUBLISHER • GB) |
| DOI | 10.1386/cjmc_00048_1 |
| OpenAlex | W4210360477 |
| Language | EN |
| Citations received | 1 |
| References cited | 13 |
In the last decade, comics and graphic novels on migration have become an essential forum for representing refugee experience. This emergent genre of graphic narration not only offers the representation of migrant hardships from the subjective perspective of refugees, artists and volunteers working in the community, comics on the refugee crisis also develop empathy and awareness for the plight of migrants internationally by giving a voice to countless nameless – and often faceless – migrants, whose images circulate widely in the media. Moreover, comic artists working on refugee and migrant subjects are inventing new visual languages to express these individuals’ perilous journeys from war-torn regions of the Middle East, Africa and Asia to European soil, incorporating the very media technologies essential for migration – and its representation – into the comics form. Looking at the smartphone and social media aesthetics of two comics on global forced migration, Kate Evans’s Threads: From the Refugee Crisis and Reinhard Kleist’s An Olympic Dream: The Story of Samia Yusuf Omar , this article assesses the significance of incorporating the technologies of migration into its representation
Aesthetics · Art · Art history · Comics · Dream · Literature · Media studies · Narrative · Perspective (graphical · Political science · Refugee · Representation (politics · Sociology · Utopia · Visual arts · Comics and Graphic Narratives · Diaspora, migration, transnational identity · History · Law · Migration, Refugees, and Integration · Psychology
Opening Closed Regimes
The smartphone aesthetics of mobility in Kate Evans’s Threads and Reinhard Kleist’s An Olympic Dream
Symbolic bordering
Meaningful Mobility
Refugee Comics and Migrant Topographies
Rethinking Ventriloquism
Mare Nostrum
Borrowed voices
Towards a Politics of Mobility
Ventriloquist Folklore
How social media transform migrant networks and facilitate migration
| Unique citing works | 1 |
|---|---|
| Citations per year | 0,2 |
| Citation span | 2021 - 2021 (1) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 1 |