Skip to main content

ETHNOS_APP

Home • Search • Journals • List 0

Sonya, Silent No More

"A Response to the Woman Question in Dostoevsky's "Crime and Punishment

Bibliographic Data

ID14480909
AuthorsElizabeth Blake (0000-0001-6845-391X, corresponding author)
Year2006
Volume50
Issue2
Pages252
Publication date2006-07-01
Open AccessNo
TypeARTICLE
VenueThe Slavic and East European Journal (JOURNAL)
Journal identifiersISSN: 0037-6752 • E-ISSN: 2325-7687
PublisherJSTOR (PUBLISHER)
DOI10.2307/20459250
OpenAlexW2497112471
LanguageEN
Citations received4
References cited6

In an attempt to address the woman question in his novels, F. M. Dostoevsky explores themes of sexuality2 and chastity in connection with his women characters, e.g., Nastasia Filippovna, Liza Tushina, and Grushenka, who struggle to forgive themselves for having lost their virginity to unworthy male seducers.3 In Sonya Marmeladova, however, Dostoevsky examines the moti vation for voluntary sacrifice of chastity-the compelling need to act in a spirit of self-sacrifice to alleviate the sufferings of consumptive step mother, Katerina Ivanovna, and destitute step-siblings. In the June 1876 entries to Diary of a Writer, Dostoevsky associates this longing for magnan imous self-sacrifice [velikodushnaia zhertva] with both fictional heroines in the works of George Sand and young inexperienced women in Russia (23: 36).4 In the final entry for this month, he patemalistically addresses a young woman who wishes to help war victims in Serbia, pitying youth, inexpe rience, and lack of education but hoping that God himself predetermined [this experience] for in order to save her (23: 53).5 Out of similar pater nalistic motives (which are also extended to his male characters), Dostoevsky creates a youthful and quasi-educated heroine, Sonya Marmeladova, who must endure many tribulations from the men in Crime and Punishment before abandoning futile self-sacrifice. She, like the novel's protagonist Rodion Raskolnikov, transgresses a Christian moral precept in the belief that she is 1. I would like to thank the anonymous readers at SEEJ for their helpful suggestions on ear lier drafts of this article

Art · Courage · Literature · Order (exchange) · Precept · Psychoanalysis · Punishment (psychology) · Sacrifice · Sociology · Theology · Virginity test · Philosophy · Philosophy, Ethics, and Existentialism · Psychology · Russian Literature and Bakhtin Studies · Social Psychology · Themes in Literature Analysis

  • Freedom and Desire

    Genia Berg•2023

  • Dostoevsky in Japanese Translations

    Open Access•Uliana P Strizhak•Russian Japanology Review•2024

  • “There was something almost crude about it all…” – reading Crime and Punishment ’s epilogue hard against the grain

    Eric Naiman•Canadian Slavonic Papers•2020

  • Plotting the ending

    Katherine Bowers•Canadian Slavonic Papers•2020

  • Alice doesn't

    Teresa De Lauretis•Alice doesn't•1984

  • Alice Doesn’t

    Open Access•Teresa De Lauretis•Alice Doesn't•1984

  • "Why Did I Say 'Women!'?" Raskolnikov Reimagined

    Nina Pelikan Straus•diacritics•1993

  • First-Versus Third-Person Narration in Crime and Punishment

    Gary Rosenshield•The Slavic and East European…•1973

  • Holy Foolishness

    Michael R Katz, Harriet Murav•The Slavic and East European…•1994

  • "The Experience of Time in "Crime and Punishment

    Gary Rosenshield, Leslie A Johnson•The Slavic and East European…•1988

Citations per year0.67
Citation span2020 - 2024 (5)
Highly citedNo

Tools

Open DOISci-Hub
Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae