Sexing the Groove
Popular Music and Gender
Bibliographic Data
| ID | 14801871 |
|---|---|
| Authors | Renee Lapp Norris |
| Year | 1998 |
| Volume | 16 |
| Issue | 4 |
| Pages | 479 |
| Publication date | 1998-01-01 |
| Open Access | No |
| Type | REVIEW |
| Review of | Sexing the Groove, Sheila Whiteley, 2013 |
| Venue | American Music (JOURNAL) |
| Journal identifiers | ISSN: 0734-4392 • E-ISSN: 1945-2349 |
| Publisher | University of Illinois Press (PUBLISHER • US) |
| DOI | 10.2307/3052291 |
| OpenAlex | W4244829561 |
| Language | EN |
| Citations received | 6 |
Art · Biology · Literature · Popular music · Sexing · Visual arts · Zoology · Materials Science · Music History and Culture
The songs of black (women) folk
Indie Soaps
The DIY careers of young classical musicians in neoliberal times
Speculation over the Love for Rock Music. Media Constructions of Groupies Between the 1960s and 1970s
Brick-and-Platform
Music on-demand
Fame Factory
There is no Zyzz
Taylor Swift
Assume the position
On good girls and woke white women
What Is in a Song? Constructions of Hegemonic Masculinity by Zimbabwean Football Fans
Five Years Ahead of My Time
Claiming Queer Territory in the Study of Subcultures and Popular Music
Intergenerational Geographies
“Have you got any soul?”
Born to Take the Highway
Just Like Hendrix
Reflections on a Century of Living
Objects of Desire
Sobre o valor dos gêneros musicais
What does gender have to do with music, anyway? mapping the relation between music and gender
Transgender Tribute Bands and the Subversion of Male Rites of Passage through the Performance of Heavy Metal Music
Is Emo Metal? Gendered Boundaries and New Horizons in the Metal Community
Music Technology, Gender, and Class
Utilizing Critical Realism in Empirical Gender Research
Paraula i poètiques del desig a l’obra d’Enric Casasses
Timeless” rock masculinities
Taking time between g-string changes to educate ourselves
Heteromasculinity and queer reappropriation in music streaming practices
Politics of ambivalence
Building a women-centered DJ Collective
Gender and everyday evasions
Reclaiming the music
Cultura do estupro e violência ostentação
Possibilidades da etnomusicologia aplicada no campo da saúde coletiva
Pat Boone’s last laugh
Experts, dads and technology Gendered talk about online music
Sexual violence at live music events
Siding with vinyl
Embodied minstrelsy, racialization and redemption in reggae
Gender and 1960s Youth Culture
Learning to be Affected
Record collections as musical archives
The dataset as Rhizomatic Heritage
‘It’s a man’s man’s man’s world’
The logics of Sisterhood
Spaceship Triple J
Jazzwomen
Feminist Reggaeton in Spain
B-Boys and Bass Girls
Desiring T, Desiring Self
The Homosocial Construction of Alternative Masculinities
Performing Gender by Performing Music
Negotiating Hip Hop persons
Taboo metaphtonymy, gender, and impoliteness
The anxiety of love
The politics of female adolescent sexuality in music
Songs of Australian indigenous women
Taking it in the ear
Female Pressure
Playing Beccy Cole
This felt more like a conversation’
Scenes and sexualities
I work hard and I’m nice to people’
Haunted by the Spirit of '77
Musical genius and/or nasty piece of work? Dealing with violence and sexual assault in accounts of popular music’s past
Utopia in Popular Management Writing and the Music of Bruce Springsteen
Towards a critical understanding of music, emotion and self-identity
Música românticain Montes Claros
V. Constructions of Femininity in 1990s Girl-Group Music
Coding sexual violence as love - choreographed heteronormative gender performances in Latin American competitive dancing
Sluts and Riot Grrrls
Mind over Matter
Staging a ‘real’ masculinity in a ‘fake’ world
Experimenting with Fandom, Live Music, and the Internet
Girls Run the World
Autonomy, Universality, and Playing the Guitar
Murder Ballads
Gender, Creativity and Education in Digital Musics and Sound Art
Sisterdjs in the House
When autobiography becomes soul
Gender, race and the ethical praxis of slide guitar
Subjunctive Masculinities
The Gendered Sound of South Africa
Sheila Whiteley
Performing Gender
Selling Sex to Radio Program Directors
Im/possible musical selves
Performing sex
Posthumous consecration in rock's legitimating discourse
The work that genre does
Musicians, their relationships, and their wellbeing
Singing the romance
No Beauty Tips or Guilt Trips”
Introduction
Gender and the Billboard Top 40 Charts between 1997 and 2007
What Does it Matter Who is Speaking? Authorship, Authority, and the Mashup
Take Those Old Records off the Shelf”
Charting the Success of Male Recording Duos
| Highly cited | No |
|---|