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Are Cognitive Styles an Important Factor in Design of Electroacoustic Music Software

Bibliographic Data

ID14872009
AuthorsBarry Eaglestone (a University of Sheffield , UK), Nigel Ford (0000-0002-5546-7332, a University of Sheffield , UK), Peter Holdridge (a University of Sheffield , UK), Jenny Carter (0000-0001-9737-2764, b De Montfort University , UK)
Year2008
Volume37
Issue1
Pages77-85
Publication date2008-03-01
Open AccessNo
TypeARTICLE
VenueJournal of New Music Research (JOURNAL)
Journal identifiersISSN: 0929-8215 • E-ISSN: 1744-5027
PublisherInforma UK Limited (PUBLISHER • GB)
DOI10.1080/09298210802259561
OpenAlexW433482196
LanguageEN
References cited12

Art · Electroacoustic music · Human–computer interaction · Musical · Programming language · Visual arts · Computer Science · Music and Audio Processing · Music Technology and Sound Studies · Software

  • Cognitive Styles—an overview and integration

    Open Access•Richard Riding, Indra Cheema•Educational Psychology•1991

  • Naturalistic inquiry

    Open Access•Yvonna S Lincoln, Egon G Guba et al.•International Journal of…•1985

  • Field-Dependent and Field-Independent Cognitive Styles and Their Educational Implications

    Open Access•Herman A Witkin, Carol Ann Moore et al.•Review of Educational Research•1977

  • Styles and Strategies of Learning

    Open Access•Gordon Pask•British Journal of Educational…•1976

  • Conversational Techniques in the Study and Practice of Education

    Open Access•Gordon Pask•British Journal of Educational…•1976

  • Composing strategies and pedagogy

    Simon Emmerson•Contemporary Music Review•1989

Highly citedNo

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