Demo hour

Bibliographic Data

ID15325298
AuthorsMatthew Mosher (0000-0002-9065-2816, University of Central Florida, corresponding author), David Tinapple (0000-0002-8493-0023, Arizona State University), Tomás Enrique (0000-0003-1800-8337, University of Arts and Industrial Design Linz), Enrique Tomas (Interface Cultures Lab, University of Art and Design Linz), Keina Konno, Richi Owaki, Yoshito Onishi, Ryo Kanda, Sheep Sheep, Akiko Takeshita, Tsubasa Nishi (0000-0002-0501-0406), Naoko Shiomi, Kyle McDonald, Kyle C McDonald, Satoru Higa, Kazuhiro Jo (0000-0003-1626-3211), Yukio Ando (0000-0001-7115-9105), Yoko Ando, Kazunao Abe, Takayuki Ito (0000-0001-5093-3886), Shannon Cuykendall (0000-0003-3900-8512, Simon Fraser University), Ethan Soutar-Rau (0000-0001-5116-2964, Simon Fraser University), Thecla Schiphorst (0000-0003-1289-5801, Simon Fraser University)
Year2016
Volume23
Issue3
Pages8-11
Publication date2016-04-26
Peer ReviewedYes
Open AccessYes
TypeARTICLE
Venueinteractions (JOURNAL)
Journal identifiersISSN: 1072-5520 • E-ISSN: 1558-3449
PublisherAssociation for Computing Machinery (PUBLISHER • US)
DOI10.1145/2904383
OpenAlexW4241900261
LanguageEN

For the 10th anniversary of the TEI conference, The Body In Translation exhibition presented artworks exploring the body's transformation through technology. The nine works selected invite speculations on the kinds of futures, experiences, and practices that arise from extending, translating, and connecting the body. Here we present four of the nine works portraying novel interfaces for the creative translation of bodily interaction. Lian Loke, George Khut, and Ineke Neutelings, TEI 2016 Arts Track Chairs

Art · Art history · Exhibition · Futures contract · George (robot · Human–computer interaction · Multimedia · The arts · Transformation (genetics · Translation (biology · Visual arts · Computer Science · Digital Games and Media · Digital Media and Philosophy

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